Joined in 2023 
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The concert in this theater was fantastic. I sat in the second row. Being so close to the artist was special! This event may contain sequences of flashing lights, laser, strobe, haze and pyrotechnics which may affect guests who are susceptible to photo sensitivities and medical conditions. Public parking is available at the Eastern Plaza Car Park via Entrance D (Olympic Boulevard). We strongly recommend pre-booking your parking. Bookings close at midnight the night before the event. Drive-up spaces are subject to availability.
Rating: 5 out of 5 Absolutely amazing show. Robbie as usual entertained us by J. E. on 7/10/19 Encore Theater at Wynn - Las Vegas Imbalance of songs a little disappointing ..... more of the hits and less of the swing would have been better regardless of this being Vegas. Rating: 4 out of 5 Fantastic evening with a minus! by Edit on 8/31/19 Encore Theater at Wynn - Las Vegas It’s a reflection of the calibre of this artist and a reflection of how much people love this event. We are delighted that Robbie has agreed to a second.”
Recent tour reviews
Debbie Harry, on the other hand, is much too cool to smile. As she strode out onto the main stage, her eyes behind a retro sci-fi visor, it was as if she had beamed in from another planet. Effortless, ageless and poised, she oozes star quality, and within seconds she and and Blondie had the festival under her spell. Whether it be by car, public transport, taxi or rideshare, there are several options for your journey to the venue.
We were so excited to be able to see Robbie in the US and he did not disappoint. The Vegas show had a Vegas type feel with dancers and old standards includes along with his great hits. We would definitely see him again. So rarely, these days, do you see someone Smash It to such a high and palpable degree. So rarely does it feel as though the stars – man, mood and moment – align to create such pure, concentrated entertainment.”– VICEThe concert is a reminder that America’s insulation from the European musical mainstream since the mid-90s is America’s loss. It is also a reminder that pop music can be fun, classy, and entertaining without being sonically hollow. It is my sincere hope that Robbie Williams’ return to the American stage forces a re-evaluation of gatekeepers in the American musical mainstream that have largely failed in their endeavor to uphold one of the fundamental tenets of responsible media – diversity. Started late and lasted less than two hours so a little on the stingy side for those who had travelled thousands of miles to see him. I think you will enjoy the show, regardless of the seats you manage to get. The venue is so intimate it really doesn't matter where you are you will be close up and personal.
One cannot doubt the larger than life ambition of Robbie Williams in his creative vision for this show. He undoubtedly tried to incorporate a lot but in doing so, he may have inadvertently eschewed the primary aspect of his career – his own hits. With a musical legacy spanning over 11 albums as a solo artist (and fifteen albums including the ones with Take That), he was never going to be in a position to do justice to all of it. That being said, he may have gone too far the other way with a covers-heavy setlist. In my humble opinion, that might have been a miscalculation in the context of an artist trying to reacquaint himself with American audiences. His legacy has been largely built off his own hits as opposed to those of others. This might be my only criticism (albeit a rather significant one) of the concert. He did himself proud. If you're a Robbie fan and can afford to, treat yourself to a slice of Robbie and a slice of Vegas. This was followed by a video of Robbie Williams being broadcast on the curtains with the crowd cheering on deliriously. The curtains opened to a jaw-dropping stage setup. This was the first indication that Robbie Williams had decided to emulate elements of a stadium concert setup within the smaller confines of a theatre. In fact, the stage set design is one of the smartest uses of spaces I have seen in a very long time. The stage featured three ramps two of which were joined like a horseshoe and a center ramp. There were circular spaces between the ramps which is where the band performed. Robbie Williams made a rather dramatic entry via a suspended platform from the ceiling of the theatre. Robbie Williams is without doubt one of the finest male pop stars of his generation, having sold over 85 million albums, 13 UK number one albums (the most for any solo artist, equalled only by Elvis Presley) and 14 number one singles as a solo artist. This might be the new mature, family-man Robbie (however flamboyantly clad), but his charisma is undimmed, and it was clear from the emotion on his face that this period of his career means more to him than anything that has come before. Earlier on the same stage, Niall Horan laid out his credentials as one of the possible successors to Robbie’s throne. His career trajectory may be similar, but where Robbie was the poster boy for laddish danger, Horan is genial and humble. “It is one of the honours of my life to play this festival,” he remarked, and seemed genuine.
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Last on tour in Australia and New Zealand in 2018 onThe Heavy Entertainment Show World Tour and more recently, performing two exclusive nights in Melbourne for his Better Man biopic, Robbie is raring to deliver his live show to some of his favourite cities down under in 2023.
Rating: 5 out of 5 Brilliant overall performance by Jucy on 7/10/19 Encore Theater at Wynn - Las Vegas The experience of meeting Robbie was unique!! He greeted me, hugged me, I could talk to him a little and then the photo. And because of this photo I'm still annoyed today! It was supposedly a professional photographer!? Allegedly!!? A truly entertaining performance. A mix of songs, chatting and jokes. Some people were disappointed Rob didn't do more of his big hits and did some covers, but he is a showman and this was HIS show. Mission Concert producer James Erskine, Chairman of Sports and Entertainment Limited, says he’s delighted with the response from New Zealanders to attend the world’s biggest winery concert.It seems appropriate that Robbie Williams should have taken to the stage for his lone 2023 UK festival appearance, on Father’s Day. As he nears 50, the Take That alumnus has firmly entered his elder-statesman-of-pop phase, and for 90 barnstorming minutes, he took an ecstatic, enormous Isle of Wight crowd by the hand for a stroll through the misadventures of his 1990s heyday, when he might have been the most talked-about person in the country. It is New Zealand’s oldest producer of wines still under the same management and its sizeable winery and vineyards, under the control of The Greenmeadows Mission Trust Board, help fund the work of The Society of Mary throughout New Zealand and the South Pacific. On the other hand, Robbie Williams may have found the city that embodies his spirit and both him and his concert audience are better off for it. I hope that this performance not only ushers in a new era for Robbie Williams’ relationship with America but also for the many talented popstars from across the Atlantic that have been relegated to relative obscurity in America. The Mission Concert, which boasts a proud history of presenting the world’s biggest and best entertainers including Rod Stewart, Elton John, Sting, Phil Collins and many more since 1993, marks three decades of amazing entertainment with Robbie’s performances on Saturday, 11 November and now, Sunday, 12 November.
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