Joined in 2023 
82 
63 About this deal
Although the tuning is generally way better than that of previous earphones, it is not devoid of criticism. While there are no strange spikes and dips, there is a bump in the mid-bass area that introduces warmth to the signature. What’s great is that there is no aggressiveness whatsoever, anywhere in the spectrum. Given their warm yet balanced tuning, the KZ AS10 are good all-rounders that can take on most genres.
The Verge’s favorite audio gear for 2022 - The Verge The Verge’s favorite audio gear for 2022 - The Verge
Shozy Hibiki Mk2: the Hibiki Mk2 are, among the headphones presented in this comparison, the most similar to the AS10 in terms of tuning. There are some key differences, though: the AS10 are more balanced, thanks to more treble presence and better extension; midrange is also less warm, and bass is a bit more controlled. In terms of quality, the AS10 seems to have better detail and better instrument separation, which lead to clearer sound. Soundstage is where the Hibiki win, as they are able to present music in a relatively wide space. In-ear แบบถอดสายได้ ขั้ว 2 Pin ช่องเสียบตามภาพครับ เราสามารถซื้อสายอัพเกรดเปลี่ยนได้ตามความชอบ (แนะนำอย่าถอดเข้าถอดออกบ่อย เพราะรูมันจะหลวม) The cables are the same one that comes with the KZ ED15 and KZ ZS10 with a dual double helix braided design and very rubberized finish. The connector of the cable is the same bi-pin 0.75mm of all KZ earphones with detachable cables; specifically they use the angled connector (like the KZ ZSR , KZ ZST and KZ ZS10) and not the straight connector that came with the KZ ZS6 , KZ ZS5 and KZ ZS3.
KZ ES4 Review
The soundstage is wider than deep doesn’t show a lot of height. Here again this is somewhat tip dependant as I found I could influence stage dimensions with the bore of the tips. In all instances, it is fairly intimate, but I could make the stage deeper and narrower by using narrow bore tips or wider and shallower by going to the wide bore tips. (Ymmv as this is the musing of an old fool). Treble is where the ES4 has a clear advantage over other KZ headphones, as it is a bit more extended and it has a nice resolution which leads to a good perceived level of detail. Now, the thing is it doesn’t hold a candle against headphones that really have good extension and good detail (e.g. Tin Audio T2), but the ES4 can hold its own in its class. Don’t expect anything too fancy; you can hear a good few details, but all the micro-details that often make the difference in telling a really good product from an average one are not there. Wide with tenmak, deep with star lines. Its good, actually better than AAW nebula 2. Its a V shape iem with fairly wide and moderately deep stage. Noise isolation of the KZ ES4 is highly efficient, with a level of reduction of surrounding noises far stronger than most average earphones. You can set your volume within moderate and they will still provide a near absolute isolation, by cranking the volume just a bit higher the will isolate you completely from noises. The dynamic driver has a 10 mm diameter and KZ says there is a layer of graphene over it – I highly doubt it, since graphene is still not suitable for industrial applications and is confined to research labs around the world. It seems KZ is using the same balanced armature as that on the ES3: the Knowles 30095. They say it is a custom unit and I hope so, as the entry for the 30095 on DigiKey reports a frequency response of 120 – 7,400 Hz, which appears quite disappointing.
KZ ES4 - Review | ThePhonograph.net
Extremely tight, if you are moving from single dynamic driver. It extends when required and doesn't interfere with musicality. But when called for, it shakes. Bass drops and bass line is crazy plus it stops somewhat pretty correctly. KZ ZS4: the ZS4 are much more heavily V-shaped, with bass and treble that are much more prominent than mids. Those appear heavily recessed and a bit distant. Bass is almost overbearing, leaking over the mids, while treble is not really detailed despite its large presence. The ZSN are much more balanced, and they have better technical ability, too. Though it is not a radical difference, the ZSN offer slightly wider soundstage, better imaging and better instrument separation. They’re also faster, which leads to percussion instruments being more lively. Midrange is certainly recessed, but not as much so as to sound distant or as to make you wish for more volume. The signature is balanced enough to leave midrange enough room to breathe; instruments (including voices) are placed in the mix so that they are always clearly audible. Tonally-wise, midrange is on the warm side, but gently so: mids stay balanced and the upper range is not too far behind the lower range. This presentation is quite relaxing and enjoyable, especially if you listen to acoustic instruments. It’s decent even if we take a few other matters into account: detail is good enough to deliver the necessary nuances, but you never get to taste the finer ones. Even a few smaller details get lost in the mix, though that’s to be expected. Speed is good, though, so fast transients are rendered with impressive accuracy for the price range the KZ ZSN are in.KZ ED16: the ED16 stand out because of their instrument separation and soundstage, which are way better than those of the ES4. Detail is also better in the treble and bass regions, while in terms of tuning, they have more emphasis on the usual region across midrange and treble. Midrange also pops out more, yet the general impression is not that of better balance. What really prevents the ED16 from being better is the relative unbalance. The ES4 is made out of a hard plastic shell and comes with a removable cable. These earphones feel pretty solid, but with such a hollow and large casing I would be afraid to step on them. Comfort is rather good, I especially like the ergonomic shape and the lighter weight of the plastic casing compared to metal earphones that often fall out. An EQ adds a jaw dropping amount of brightness and become noticeably more detailed. Piercing highs can also be efficiently eq’ed to reduce their strength. KZ ES4 In-Ear ราคา ยังคงเอกลักษณ์และจุดเด่นของแบรนด์เอาไว้อย่างครบถ้วน นั่นก็คือคุณ๓าพเสียงระดับไฮเอนด์ ในราคาระดับเริ่มต้น บอกเลยว่าไม่ทำให้ผิดหวัง เหมาะกับคนที่อยากได้ หูฟัง In-Ear มาใช้งานกับ Smartphone มือถือ หรืออุปกรณ์พกพาต่าง ๆ ด้วยแรงต้านทานที่รุ่นนี้มีไม่มากนักขับได้ง่าย รับคุณภาพย่านเสียงระดับสูงได้ง่าย ๆ ไม่ต้องต่ออะไรมากมาย และผู้ที่มองหาสินค้าที่สวมใส่ได้ง่าย สบายหูเป็นเวลานาน ๆ คล้องหูก็ไม่ระคาย รวมไปถึงชอบอัพเกรด ยิ่งรุ่นนี้นอกจากจะอัพเกรดสายได้แล้วยังอัพเกรดไปเป็นสายแบบ Wireless ได้ด้วย กับราคาเท่านี้ พลาดไม่ได้จริง ๆ รายละเอียดทั่วไป Tries to get into upper bass register and bleed towards mid, but is now in control due to tenmak tips. It is to punchy and is distinct(I don't like that much punch) but is still maintaining a fundamental tone, so I can tolerate. But on slow, classical or orchestral songs this mid bass is very good. It defines the weight of instruments.
KZ ES4 | Headphone Reviews and Discussion - Head-Fi.org KZ ES4 | Headphone Reviews and Discussion - Head-Fi.org
The KZ ZSN are a bit unusual from a design perspective, at least when it comes to KZ standards: the shell is made of transparent plastic (with a fumé finish in my case, but also available in green/cyan and magenta) and the faceplate is made of metal. It is held in place with three screws, placed in the three angles – as the faceplate has an overall triangular shape. On top of the choice of materials, which is new for KZ, the other news is the shape which reminds me of IEMs such as the BGVP DM6. The shell is in fact similar to that of previous KZ earphones, such as the KZ ZS10 or the KZ AS10, so this is not something that we’ve never seen before. This transparent plastic exposes all the innards, so one can easily see the (relatively) large dynamic driver and the balanced armature. The nozzle is made of metal (aluminium?) which should make it much more durable than usual plastic. The KZ ES4 mids have full bodied sound with a warm personality and very crisp higher mids. Lower vocals sound energetic and alive despite a mild presence of mid-bass bleed. If you were not into KZ’s new approach with the tuning of the KZ ZS10, you will be happy to know that the KZ ES4 has KZ’s sound signature that everybody loves. The KZ ES4 has a very strong output and if you crank the volume you will feed their crisp higher mids into some harshness. The response to custom equalization of the KZ ES4 was outstanding, bass could be empowered into insane levels of punch and depth; lower vocals got very clear and mid-bass bleed was nearly extinguished; highs became extra bright and open-sounding.
Design & Comfort
KZ ES4 the latest release from KZ with a dual hybrid configuration, detachable cables and plastic housings. KZ ZSA: in terms of technicalities, the ZSA are very similar to the ES4: instrument separation is largely comparable, while soundstage appears slightly larger on the ZSA. There’s no clear winner, though. The ZSA have a much more pronounced V shape in their sound, with prominent bass and treble that really stand out. The upper mids spike is way worse on the ZSA than on the ES4. Let’s face it: while KZ headphones often offer good value, they have never been great soundwise. Yes, they are good… for the price. After many, many headphones plagued by tuning issues, the KZ AS10 are finally balanced and without the spikes and dips that characterise most of the company’s products. No more aggressive upper mids, no more overpowering mid-bass, no more fatiguing treble. This is finally a KZ product that gets tuning right. The irritating thing is that it is more than probably just a chance, as KZ is notorious for using off-the-shelf drivers without any proper tuning work.
KZ ES4 + สายอัพเกรด ของดีราคาประหยัด - Pantip รีวิว KZ ES4 + สายอัพเกรด ของดีราคาประหยัด - Pantip
The peculiarity of the ES4 is the large-tipped nozzle: it is not straight, instead it is larger at the top so that it grips eartips better. This could cause a few issues with eartips that have a hard inner bore (e.g. Comply foam eartips, which I talked about in my best eartips guide), but should make it harder for silicone tips to come off. With a form factor very similar to the KZ ZST , the KZ ES4 offer the same outstanding level of comfortable and secure fit. Regarding size, the KZ ES4 are not as large as the KZ ZS10; instead, they have a footprint more inline with the KZ ES3, KZ ED12 and smaller than the KZ ZS6. Now, the shape is not exactly the same as that of the ZS10, but it is instead slightly rounder and smaller. These two facts together afford the ES4 a better fit and therefore make them more comfortable. I used the ES4 for two or three hours at a time and felt just some slight fatigue, which is quite a good result. There’s still some way to go before KZ nails the perfect shape, but we’re getting there. Seperation was good throughout my audition with only mild crowding on large orchestral pieces. (This again unlike some previous attempts that sounded as if the philharmonic had been crammed in Volkswagen bus and then asked to perform). The KZ ES4 belongs to the newest generation of KZ in-ear monitors and shares some design similarities with the KZ ZS10 , like the transparent housings and the characteristic divider board with the KZ logo which can be found inside the rear section of the housings.Comfort is indeed good and better than I expected; considering the similarities with the ZS10, I thought it would be decent but not that great for long listening sessions. Truth is, I used them all day long for multiple days and only got some fatigue at the end of the day. The AS10 is therefore an IEM you can rely on when it comes to comfort. As subjective as comfort is, I think the KZ AS10 is much more universal than other headphones as it is small and light – so take my thoughts with a pinch of salt, as usual, but also consider the fact that they’re really one of the best IEMs by KZ in terms of comfort. ES4 และสายอัพเกรดมาจาก Shopee ตามคำแนะนำของเพื่อน ในราคาแสนถูก พอๆกับหูฟังที่ขายตาม 7-11 เลยทีเดียว The fact that the KZ AS10 is balanced and actually pleasant comes therefore as a surprise. This may be the most interesting IEM made by KZ due to this, despite not having the same technical prowess as other headphones in the line-up. KZ opted for their usual V-shaped approach, but this time they finally got it right by avoiding the usual blatant unbalance that plagues most of their headphones. These are still heavily coloured headphones, but at least they’re enjoyable and don’t display excessive peaks or dips. The KZ ES4 is the newer updated version of the KZ ES3 , inheriting some of their main technical specifications like: dual driver, plastic housings, detachable cables.
Great Deal 
New Comment