I’m the Villainess, So I’m Taming the Final Boss, Vol. 1 (I'm the Villainess, So I'm Taming the Final Boss (Manga))

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No es la primera vez que leo esta historia, creo que la primera vez fue por allá del 2019, pero si es la primera vez que lo tengo en físico, por lo que no ha aparecido en ningún otro año de lecturas. Overall (this is a very biased opinion, because I really loved the manga) this is a fun ride, I do think that it is re-readable and if you don't take it too seriously I think you'll like it. Out of the Otome Game adaptations we've had so far, I really have to concede the fact that HameFura is the overall better handled show that we have It is my book version of dark chocolate. I have an affinity for the "otome isekai villainess" genre, where the MC h is a contemporary Japanese female, usually teen to young adult, who is whisked away to a usually fantasy type European style world that the protagonist realizes is based off of an otome game that she played when she was in Japan and that she is now the villainess of the game and is trying to avoid the "death flags" so she survives to a ripe old age, rather than to be used as the stepping stone for the "heroine" to have her "happy" ending.

Akuyaku Reijou nanode Last Boss wo Kattemimashita Akuyaku Reijou nanode Last Boss wo Kattemimashita

Actually, it's not clear at all how the story builds on or benefits from the premise. Why make her a villainess? Why reincarnate her? Why in a dating sim? Any one of those elements could have taken the story in an interesting direction if it had been treated as more than just isekai overhead. It's not difficult to imagine: an evil heiress gets dumped, tries to get even, and winds up fixing her life, and the kingdom, essentially out of spite. Or how about this: reborn into fantasy high society, an ordinary modern girl has to act the part of a notorious noblewoman or face destruction. As for being trapped in a dating sim — I mean, that one practically writes itself: it's funny when a normal person has to deal with stupid genre tropes. Unfortunately, the show delivers none of the above.The pacing is a disaster: the season is crammed with standalone arcs, each of which is rushed, all of which together leave little time for characters and relationships to develop. Nine episodes in, the show is still introducing entire factions And the main female character in this game is this girl called Aileen Lauren d'Autriche. Having been reincarnated from the real world, knowing fully well that she's the villainness whose destiny is programmed for death, she does what any other character would do to turn away from the fated death that awaits them. Only this time, AkuLas takes a very different approach and hinges it on the demonic side of the family rather than the stereotypical kingdom noble royalty, which provides something new to the table to make things interesting. This is especially so if you can get the reference of the source title itself to tame the "Final Boss", and for one, Alieen already has her sights set on the game's "Final Boss" that is Claude Jean Ellmeyer, the lord of the demons, and simultaneously the older brother and former heir to the throne whom he lost his claim to his younger brother Cedric, who is the default love interest of the game's heroine. And what's a prince without the princess a.k.a the game's heroine, and she is none other than Lilia Reinoise, the proclaimed self-righteous princess to stand alongside Cedric as the Holy Sword Maiden, which imbues her with power enough to defend against demons. I swear that the way that I'm sounding here makes you think that there're lots of characters, and yes there are many, but easier to follow than the almost cluster-fish that is HameFura. But I'm getting ahead of myself here, let's rewind from the start. If you've watched either HameFura or MobuSeka for that matter, AkuLas's story is essentially the same copy-pasted blurb setting of its main female MC being Isekai-ed into the game, with her memories intact of how the game is being played out and navigating thereabouts so that she can reach the outcome of the game's "good end" and avoiding the "bad end". But as the saying goes: "Truth is stranger than fiction", and even if the game turned out to be predictable, there is always that small hole-sized void that'll plunge the female MC into self-perception if there exists an area that wasn't part of the main story (e.g. special spin-off character routes), regardless of how well she can memorize the entire game inside out to play exactly as how it would be panned out. The art is beautiful. Not exactly the height of manga art, but still, cute and serious at times, I liked it.

I’m a Villainous Daughter, so I’m going to keep the Last Boss I’m a Villainous Daughter, so I’m going to keep the Last Boss

Si je suis la vilaine autant mater le boss final est un manga que je m’étais acheté après avoir vu l’anime a sa sortie (fin 2022) et je me suis récemment dit qu’il était enfin temps de le sortir de ma PAL. With time running out, can Irene succeed with her plans, or will she remain bound to the ill-fated ending that awaits her? in thirty-second expository clips. I thought we were going to see a video-game villainess seduce a demon lord: are we done with that? I feel like we could have squeezed more out of it.

Watashi wa Akuyaku Reijou nanka ja Nai!!: Yamitsukai dakara tte Kanarazushimo Akuyaku dato Omouna yo AutoRec before reading*** (This whole part is a mess. I'm so tired. Making sense isn't high on my priority list right now.) There are many animations about reincarnation in another world that say, " After dying in this world, you are immediately reincarnated in another world as a different personality." However, it is easier to understand that "villain daughter's last boss" is reincarnation rather than reincarnation in another world. how could I give it anything less and do I want to pauper myself by getting the manga as well, stars!