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A. J. Smith, ed., John Donne: The Critical Heritage (London & Boston: Routledge & Kegan Paul, 1975). Charles Monroe Coffin, John Donne and the New Philosophy (New York: Columbia University Press, 1937). Roberts, John Donne: An Annotated Bibliography of Modern Criticism, 1968-1978 (Columbia: University of Missouri Press, 1982). Also titled ‘Elegy XIX’, ‘To His Mistris Going to Bed’ (as it was originally spelt) is another seduction poem, in which a naked Donne undresses his mistress verbally, one item of clothing at a time.

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BIATHANATO A Declaration of that Paradoxe, or Thesis that Selfe-homicide is not so Naturally Sinne, that it may never be otherwise (London: Printed by John Dawson, 1647). Smith, The Metaphysics of Love: Studies in Renaissance Love Poetry from Dante to Milton (Cambridge & New York: Cambridge University Press, 1985). Merritt Y. Hughes, "Kidnapping Donne," University of California Publications in English, 4 (1934): 61-89. Izaak Walton, The Lives of Dr. John Donne, Sir Henry Wotton, Mr. Richard Hooker, Mr. George Herbert, and Robert Sanderson (London: Printed by Tho. Newcomb for Richard Marriott, 1670)--the Life of Dr. John Donne first appeared in the 1640 edition of Donne's LXXX Sermons. M. Thomas Hester, Kinde Pitty and Brave Scorn: John Donne's Satyres (Durham, N.C.: Duke University Press, 1982).Thomas O. Sloane, Donne, Milton, and the End of Humanist Rhetoric (Berkeley: University of California Press, 1985).

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Geoffrey Keynes, A Bibliography of Dr. John Donne: Dean of St. Paul's, fourth edition (Oxford: Clarendon Press, 1973).

In the first two decades of the 20th century Donne’s poetry was decisively rehabilitated. Its extraordinary appeal to modern readers throws light on the Modernist movement, as well as on our intuitive response to our own times. Donne may no longer be the cult figure he became in the 1920s and 1930s, when T.S. Eliotand William Butler Yeats, among others, discovered in his poetry the peculiar fusion of intellect and passion and the alert contemporariness which they aspired to in their own art. He is not a poet for all tastes and times; yet for many readers Donne remains what Ben Jonson judged him: “the first poet in the world in some things.” His poems continue to engage the attention and challenge the experience of readers who come to him afresh. His high place in the pantheon of the English poets now seems secure. By this self-questioning he brings himself to understand that his suffering may itself be a blessing, since he shares the condition of a world in which our ultimate bliss must be won through well-endured hardship. The physical symptoms of his illness become the signs of his salvation: “So, in his purple wrapped receive me Lord, / By these his thorns give me his other crown.” The images that make him one with Christ in his suffering transform those pangs into reassurance. qualche telefonata, lancia una cifra che riempie di soddisfazione il banditore e tacita gli altri. Sara seduta stante viene The Complete Poetry and Selected Prose of John Donne, edited by Charles M. Coffin (New York: Modern Library, 1952). Sir Arthur Quiller-Couch, Studies in Literature (Cambridge: Cambridge University Press, 1920), pp. 96-117.