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Arnold Stein, John Donne's Lyrics: The Eloquence of Action (Minneapolis: University of Minnesota Press, 1962). It’s impossible to be blinded by beauty, of course, but the cleverness of the conceit transforms it from clichéd declaration of love (‘I’m blinded by your beauty’) into something more affecting because, as T. S. Eliot observed, thought and feeling were united in Donne’s poetry.

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Roberts, John Donne: An Annotated Bibliography of Modern Criticism, 1968-1978 (Columbia: University of Missouri Press, 1982). Encænia. The Feast of Dedication. Celebrated At Lincolnes Inne, in a Sermon there upon Ascension day, 1623 (London: Printed by Aug. Mat. for Thomas Jones, 1623). The history of Donne’s reputation is the most remarkable of any major writer in English; no other body of great poetry has fallen so far from favor for so long. In Donne’s own day his poetry was highly prized among the small circle of his admirers, who read it as it was circulated in manuscript, and in his later years he gained wide fame as a preacher. For some 30 years after his death successive editions of his verse stamped his powerful influence upon English poets. During the Restoration his writing went out of fashion and remained so for several centuries. Throughout the 18th century, and for much of the 19th century, he was little read and scarcely appreciated. It was not until the end of the 1800s that Donne’s poetry was eagerly taken up by a growing band of avant-garde readers and writers. His prose remained largely unnoticed until 1919. DigitalDonne: the Online Variorum, general editor Gary A. Stringer, Texas A&M University, http://digitaldonne.tamu.eduqualche telefonata, lancia una cifra che riempie di soddisfazione il banditore e tacita gli altri. Sara seduta stante viene Edward W. Tayler, Donne's Idea of a Woman: Structure and Meaning in "The Anniversaries" (New York: Columbia University Press, 1991). Charles Monroe Coffin, John Donne and the New Philosophy (New York: Columbia University Press, 1937). John Donne: The Complete English Poems, edited by A. J. Smith (Harmondsworth, U.K.: Penguin, 1971). A Sermon Vpon The VIII. Verse Of The I. Chapter of The Acts Of The Apostles (London: Printed by A. Mat for Thomas Jones, 1622).

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molto raro che chi sceglie di condividere un viaggio in macchina in carpooling ne ottenga qualcosa di buono, a parte forse la sensazione di aver fatto qualcosa per l’ambiente. Tuttavia, nel 2017, la fotografa franco-svizzera Clélia Odette, di stanza a Bruxelles, si è ritrovata in una situazione che ha profondamente influenzato i suoi lavori successivi. Donne's Prebend Sermons, edited by Janel M. Mueller (Cambridge, Mass.: Harvard University Press, 1971). Hugh I'Anson Fausset, John Donne: A Study in Discord (London: Cape, 1924; New York: Harcourt, Brace, 1925).Claude J. Summers and Ted-Larry Pebworth, eds., The Eagle and the Dove: Reassessing John Donne (Columbia: University of Missouri Press, 1986). Donne characterizes our natural life in the world as a condition of flux and momentariness, which we may nonetheless turn to our advantage.” The tension of the poetry comes from the pull of divergent impulses in the argument itself. In “A Valediction: Of my Name in the Window,” the lover’s name scratched in his mistress’s window ought to serve as a talisman to keep her chaste; but then, as he explains to her, it may instead be an unwilling witness to her infidelity:

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No list of Donne’s best poems would be complete without this one. Like many great metaphysical poems, ‘The Flea’ uses an interesting and unusual conceit to make an argument – in this case, about the nature of physical love. Like Andrew Marvell’s ‘To His Coy Mistress’ (Marvell is another great Metaphysical poet), ‘The Flea’ is essentially a seduction lyric. The publication in 1919 of Donne’s Sermons: Selected Passages, edited by Logan Pearsall Smith, came as a revelation to its readers, not least those who had little taste for sermons. John Bailey, writing in the Quarterly Review(April 1920), found in these extracts “the very genius of oratory ... a masterpiece of English prose.” Sir Arthur Quiller-Couch, in Studies in Literature(1920), judged the sermons to include “the most magnificent prose ever uttered from an English pulpit, if not the most magnificent prose ever spoken in our tongue.”

Richard E. Hughes, The Progress of the Soul: The Interior Career of John Donne (New York: William Morrow, 1968). Conclaue Ignati (London, 1611); translated as Ignatius his Conclaue (London: Printed by N. O. for Richard More, 1611). N. J. C. Andreasen, John Donne: Conservative Revolutionary (Princeton: Princeton University Press, 1967). Louis L. Martz, The Poetry of Meditation: A Study in English Religious Literature of the Seventeenth Century (New Haven: Yale University Press, 1954). Izaak Walton, The Lives of Dr. John Donne, Sir Henry Wotton, Mr. Richard Hooker, Mr. George Herbert, and Robert Sanderson (London: Printed by Tho. Newcomb for Richard Marriott, 1670)--the Life of Dr. John Donne first appeared in the 1640 edition of Donne's LXXX Sermons.

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Exploiting and being exploited are taken as conditions of nature, which we share on equal terms with the beasts of the jungle and the ocean. In “Metempsychosis” a whale and a holder of great office behave in precisely the same way: Magyarország első és legnagyobb fórum szolgáltatása. A web kettő pre-bétája, amit 1997 óta töltenek meg tartalommal a fórumlakók. Fórumok változatos témákban, hangnemben, moderálva. Ha nem csak megosztani akarsz, hanem diskurálni egy egy témában, csatlakozz Te is, és ha kitartó vagy, társakra találhatsz. Gli scatti iniziali del progetto che sarebbe successivamente diventato “Belles Mômes” sono stati realizzati in uno studio dove Odette aveva avuto modo di posare come modella per alcuni artisti. Dopo aver fotografato il primo soggetto, Sylviane, Odette si è resa conto che questi materiali potevano tornare utili per rassicurare le altre potenziali modelle: “Penso sia evidente che non c’è nulla di degradante nelle mie immagini.” M. Thomas Hester, Kinde Pitty and Brave Scorn: John Donne's Satyres (Durham, N.C.: Duke University Press, 1982).The Poetical Works of Dr. John Donne, with a memoir, edited by James Russell Lowell (Boston: Little, Brown, 1855). Helen C. White, The Metaphysical Poets: A Study in Religious Experience (New York: Macmillan, 1936). John Donne's Sermons on the Psalms and Gospels. With a Selection of Prayers and Meditations, edited by Simpson (Berkeley & Los Angeles: University of California Press, 1963). The Complete Poetry of John Donne, edited by John T. Shawcross (Garden City, N.Y.: Doubleday, 1967).