The Extraordinary Life of an Ordinary Man: A Memoir

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In 1986, Paul Newman and his closest friend, screenwriter Stewart Stern, began an extraordinary project. Stuart was to compile an oral history, to have Newman’s family and friends and those who worked closely with him, talk about the actor’s life. And then Newman would work with Stewart and give his side of the story. The only stipulation was that anyone who spoke on the record had to be completely honest. That same stipulation applied to Newman himself. The project lasted five years. The one thing I’ve always admired is excellence. I recognize it in almost anything: plumbers, museum guides, limousine drivers, bank tellers—I delight in seeing it. Maybe we choose those arenas in which we have the best chance for excellence. For me, maybe that’s acting, or being somehow connected to the theater, or capitalizing on the way I look, or fooling people” He wanted to tell his life story in his own way. So that is what he set out to do with the help of his long-time friend and collaborator, Stewart Stern.

THE EXTRAORDINARY LIFE OF AN ORDINARY MAN is revelatory and introspective, personal and analytical, loving and tender in some places, always complex and profound. An excessively private man he started to make notes for an intended Memoir and then gave it up. His children found much of the documents long after his death and decided to share it with the public. Since they are his children they would know better than I if he would be pleased about this or not – considering he passed away so many years ago, maybe now he couldn’t care less. To say he was an extraordinary man would be an understatement. he saw himself as a working actor, not a movie star, and insisted that everyone else did the same. There was no ego, no entourage, no hangers on. Only Paul, his script and his incredible spirit. One can say this about very few people, but he was a truly great man. It seems to me to be one of the great 20th-century lives: he was famously generous, with his extraordinary and unstinting work for his charities, he was a shining example of how to use global fame for the greater good, and most of all he was one of the great movie actors of this or any other age. [Directing Newman] was the highlight of my professional life.' Sam Mendes I have been a huge fan of Paul Newman since I saw my first of his movies, The Long Hot Summer, which also happened to feature his wife Joanne Woodward. Those baby blues led to my major infatuation on my part and even to this day, I consider Paul Newman to be a celebrity crush. When I heard a posthumous memoir was created from his writing and interviews, I knew I needed to get my hands on it.W]hen news emerged that an unpublished memoir, once thought lost, had been discovered by Newman’s family and would be “revealing and surprising”, fans braced themselves for the worst. Were we to be subjected to tales of Paul Newman, abuser of small animals? Paul Newman the devil-worshipper? Must every hero fall?But Paul Newman: The Extraordinary Life of an Ordinary Man, which was published last week, only burnishes his reputation. Not because he bangs on about his glorious deeds – in fact, he barely mentions them at all – but because this once very private man reveals so much of his fascinating, never disappointing self. He was constantly questioning himself, riddled with guilt about the past, deeply in love with his wife and trying to learn from his mistakes. Human, in other words, but better.” —Hadley Freeman, The Guardian Newman's often traumatic childhood is brilliantly detailed. He talks about his teenage insecurities, his early failures with women, his rise to stardom, his early rivals (Brando and Dean), his first marriage, his drinking, his philanthropy, the death of his son Scott, his strong desire for his daughters to know and understand the truth about their father. Perhaps the most moving material in the book centers around his relationship with Joanne Woodward - their love for each other, his dependence on her, the way she shaped him intellectually, emotionally and sexually. It would make my life a lot easier if whenever someone stopped me on the street and asked, “Ooh, let me take your picture,” I said OK. But that would draw another 12 people over, and that would draw some more people, and you stand there signing autographs while politely asking them about their mother and father. This was a painstaking collaboration that took his recorded conversations, and translated them into a well-coordinated readable, reasonable sized book. Given this psychological record, Newman refuses to take credit for his much-praised philanthropy. Although the salad dressing sold as Newman’s Own generated millions for charitable causes, he winces at the way he marketed his celebrity on the shelves of grocery stores and suspects that his altruism came “from having no civic impulses at all, just inventing them the way I invented everything”. Presumably that also applies to his political activities in support of candidates who opposed the Vietnam war; though he voted Democrat, Newman defines himself as “an emotional Republican” – hard faced and self-contained or, as a college crony says of him, “tough and cold”, even “devilish”.

he was honest to the core, was a loyal friend, very well respected by most people, loved to laugh at his own jokes….. In 1986, Paul Newman and his closest friend, screenwriter Stewart Stern, began an extraordinary project. Stuart was to compile an oral history, to have Newman's family and friends and those who worked closely with him, talk about the actor's life. And then Newman would work with Stewart and give his side of the story. The only stipulation was that anyone who spoke on the record had to be completely honest. That same stipulation applied to Newman himself. The project lasted five years. If I could do that and didn’t care, it would be terrific. I’d feel a lot better at the end of the day. This is pieced together from work Newman did for a memoir project earlier in his life that he never ended up finishing. It does help you feel like you know him as a person, and in compiling it they've done a good job of bringing in a few other voices from other people he had interviewed. This isn't an industry memoir. The first half or so is his life before fame, and the second half is less linear story and more anecdotes and thoughts around particular topics. I didn't mind it, and Jeff Daniels reading it is a nice choice.Danger ejected him from this state of anaesthesia. Hence his obsession with racing cars, which began with a movie role as a grand prix driver in Winning but took him “outside that fictional experience into something real and quite primitive”. More culpably, he also urged his son, Scott – an addict and an unsuccessful actor, with whom his relationship was “a dance of death” – to take high-speed risks on the road. At one lacerating moment, Newman recalls that he considered shooting himself to rid Scott of “the affliction that was me”; in the event, it was the unhappy Scott who died prematurely. One of the very finest screen actors of our time. Newman spanned the gap between the golden days of Hollywood, the 40s and 50s with actors like Cary Grant and James Stewart and Clark Gable, and the present lot represented by Brad Pitt, Tom Cruise' Sir Michael Parkinson

The raw, candid, unvarnished memoir of an American icon. The greatest movie star of the past 75 years covers everything: his traumatic childhood, his career, his drinking, his thoughts on Marlon Brando, James Dean, Elizabeth Taylor, John Huston, his greatest roles, acting, his intimate life with Joanne Woodward, his innermost fears and passions and joys. With thoughts/comments throughout from Joanne Woodward, George Roy Hill, Tom Cruise, Elia Kazan and many others. This unforgettable and extraordinary memoir, one of the best and most compelling books of 2022, is a breathtakingly honest mea culpa from a complicated man striving to excavate his demons; according to Newman's daughter Clea, who writes the memoir's afterword, he succeeded in his final decades. also a director, race car driver, husband, father, philanthropist, (went further than most actors), business owner of a non-profit ‘Newman’s Own’ (salad dressings, etc.), struggled with alcohol, was often lonely, a private man who needed to have a lot of people around him….. Drawn from conversations between the late actor Paul Newman and screenwriter Stewart Stern, The Extraordinary Life of an Ordinary Man sees the Cool Hand Luke star reflecting on a life marked by dizzying success and psychological pain. The interviews, which took place over five years from 1986, were seemingly forgotten until Newman’s children unearthed them in 2019 and turned them into this memoir-cum-oral history. Paul Newman died in 2008 but he had been working on his memoirs since 1986. After he died his family and friends set about trying to finish this project. It took about 5 years and I think it was well worth the wait.Newman’s often traumatic childhood is brilliantly detailed. He talks about his teenage insecurities, his early failures with women, his rise to stardom, his early rivals (Marlon Brando and James Dean), his first marriage, his drinking, his philanthropy, the death of his son Scott, his strong desire for his daughters to know and understand the truth about their father. Perhaps the most moving material in the book centers around his relationship with Joanne Woodward—their love for each other, his dependence on her, the way she shaped him intellectually, emotionally and sexually. This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by