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In Entertainment Weekly, Lisa Schwarzbaum, who graded the film B+, compared Calendar Girls with other British comedy films such as Billy Elliot and Saving Grace. She commented that "[It] is the first export from the light-comedy-steamroller division of the British film industry that avoids, for the most part, the kind of queasy class condescension such hell-bent charmers have relied on since unemployed steel-mill workers shook their groove thangs in The Full Monty." [28] Variety critic Derek Elley wrote that the film "delivers very likable, if sometimes dramatically wobbly, results". He found that "though the film is never dull, and playing by the cast is spirited, it's actually a surprisingly gentle movie [...] The humor has a typically British, offhanded flavor, and the essentially simple story plays more as a multi-character rondo on a single idea. For every laugh-out-loud moment, or eccentric touch, there are equal moments of reflection and pause [...] Despite an uncertain start in establishing a consistent comic tone, pic builds into an engaging, light character comedy, played somewhere between the Ealing tradition and contempo regional comedy." [29] In his review for The New York Times, Elvis Mitchell called "minty-cool" Helen Mirren and "deft" Julie Walters "a graceful pair of troupers" and "a sunny, amusing team." He described the film as "yet another professionally acted and staged wry-crisp comedy about British modesty [...] that gets its laughs, but seems increasingly out of date [...] When the biggest compliment you can pay a picture is that it is professional and not smug, there's a little something missing, like invention." [26] Manohla Dargis of the Los Angeles Times said the film "is closer in texture and consistency to individually wrapped American cheese than good, tangy English Cheddar. But even humble plastic-wrapped cheese has its virtues and so does this film [...] Chief among those graces are Helen Mirren and Julie Walters, two well-matched and criminally underused actresses [...] Although they have little to do but grin and bare it, Mirren and Walters are delightful company." [27]The photos for the 2000 Alternative WI Calendar, as it was named, were taken by Terry Logan, a former professional photographer who was married to one of the models. It was released on 12 April 1999 and became a runaway success, selling out in the first week. 10,000 additional copies were printed, all of which were sold within three weeks. Nine months after its launch, the calendar had sold 88,000 copies. [9] It then was adapted for a US version covering June 2000 – December 2001. The ladies were invited to appear with Jay Leno and Rosie O'Donnell on their respective talk shows. That year the calendar sold 202,000 copies, with its proceeds being used to fund lymphoma and leukaemia research in new laboratories at the University of Leeds. [9] Penelope Wilton as Ruth Reynoldson, a carpet dealer's housewife. Wilton initially rejected the offer to join the project as she refused to be filmed semi-naked. [5]

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WALL CALENDAR CHRISTMAS Gift, Cute Cats & Kitten Art Prints, 2024 A3 Vertical Hanging Planner Makes A Cute Gift For Her This Christmas The calendar is high quality material, arrived fast & the pictures are absolutely fantastic. I loved the little tidbits with the girls talking about working together and how they feel they would fare in a horror film setting.

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The Calendar Girls story". Archived from the original on 27 November 2015 . Retrieved 11 October 2015.

Calendar Girls is a 2003 British comedy film directed by Nigel Cole. Produced by Touchstone Pictures, it features a screenplay by Tim Firth and Juliette Towhidi, based on a true story of a group of middle-aged Yorkshire women who produced a nude calendar to raise money for Leukaemia Research (now Blood Cancer UK) under the auspices of the Women's Institutes in April 1999 after the husband of one of their members dies from cancer. [3] The film stars an ensemble cast headed by Helen Mirren and Julie Walters, with Linda Bassett, Annette Crosbie, Celia Imrie, Penelope Wilton, Geraldine James, Harriet Thorpe and Philip Glenister playing key supporting roles. Chris complains about the uncomfortable couch in the waiting room. After noticing a "girlie" calendar in a local mechanics shop, she hits upon an idea to raise funds to buy a new sofa. She proposes producing a calendar featuring members of the Knapely branch of the Women's Institute discreetly posing nude while engaged in traditional WI activities, such as baking and knitting.