ATOSA Damen Dr. Jeck Verkleidung

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The letter created such an uproar and speculation over the play and in particular the transformation scene that Mr Mansfield was forced to close it down. There are so many facets to this character but I felt that you had approached this role with such thoughtful preparation, exploring the drive and emotional journey of the man with obvious intelligence. You have an impactful yet understated presence on stage - this really worked, for the personas of Jekyll and Hyde were presented through you in such a way that we were able to really connect with the dynamic between the two. In your first number your humanity was captured as you sang to your father - our empathy was drawn in immediately. This is important as we need to like you as you follow this tortuous and dangerous road. But you also portrayed Henry's desperation for scientific advance and an answer to the big question of good and evil - this desperation became effectively compulsive. Your energy as Hyde was both repulsive and intriguing - and I think we were all very unsettled by the impactful delivery of those provocative words as you felt so 'alive' in your new found persona. Physicality matched this - transition to Hyde was outstanding: the jerking, tormented body movements alongside a deep vocal delivery and glazed, manic eyes gave us a window into your tormented mind. COMPLEXION: Due to many hours of research to find the serum to create his inner Mr Hyde, Dr Jekyll has a pale and tragic countenance, thanks to arrowroot in my case! PLEASED TO MEET YOU MR HYDE Two smaller roles which again are part of the story, you both created the roles well and interacted with the other members of the cast.

A complete scene-by-scenedescription of all the costumes needed for each of the characters in the show. FINISHING MR HYDE'S CRAVAT: Now work on Mr Hyde's side of the cravat so it looks as though it has been pulled about and that he has been in a fight! I cut into the length of the fabric at the pointed end with scissors and then tore it with my fingers, to give a ragged disheveled look. THE SHIRTIf you need help costuming your show or have any questions, please don’t hesitate to call our costume hotline toll-free at 1-866-374-7442 offering you FREEassistance from 8:30 AM. To5:00 P.M. ESTMonday – Friday. That is all the story though and not the production; so what of the challenging bar that this company set itself? As with Othello the night before, the production was impressive. Two very wordy pieces of theatre were executed with precision and a quality that would challenge many professional productions I have seen. The cast were, again, excellent – from the ensemble members through to the leading characters. There were plenty of laughs – the comedy of the piece was well executed throughout, but also lots of thought-provoking moments. Particular credit (in relation to the former) should be given to Mohammed Mansaray’s priest, Rosella Doda’s Abbie/Lucy and the trio of “ladies” played by Leah Gaffey, Amarah Jae St. Aubyn and Rebecca Hesketh-Smith who delivered the comedy with goodtiming and plenty of humour. An evocative tale of two men – one, a doctor, passionate and romantic; the other, a terrifying madman – and two women – one, beautiful and trusting; the other, beautiful and trusting only herself– both women in love with the same man and both unaware of his dark secret. A devoted man of science, Dr. Henry Jekyll is driven to find a chemical breakthrough that can solve some of mankind's most challenging medical dilemmas. Rebuffed by the powers that be, he decides to make himself the subject of his own experimental treatments, accidentally unleashing his inner demons along with the man that the world would come to know as Mr. Hyde. Mr. Hyde is described in the novella as being short and extremely ugly. You can let your imagination go and make your Mr. Hyde costume as monstrous as you like. Only small roles but all essential to the story, from the pompous General, the holier than thou Bishop, the sanctimonious snobby Lady, and the rich pompous and semi hypocritic Sir Archibald and Lord Savage, you all played your parts well with good strong voices and confidant acting you all created believable characters. Well done

The first and foremost reference for a costume designer is always the script, so I begin my process reading it first for pleasure as though I were ‘audience’, after which I revisit it many times, layering on notes that occur to me as I go. Doctor Henry Jekyll is a good man. Successful within his field and respected by his peers, he’s close to a neurological discovery that will change the face of medical science forever. However, his methods are less than ethical, and when a close friend and colleague threatens to expose and destroy his work, Jekyll is forced to experiment on himself, whereupon something goes very wrong…or very right. And suddenly Jekyll has a new friend, the brutal Edward Hyde. The 1996 film Mary Reilly introduces a central woman character, played by Julia Roberts, to Stevenson’s story. A thrilling adaptation of Robert Louis Stevenson’s dark psychological fantasy, The Strange Case of Dr Jekyll And Mr Hyde immerses you in the myth and mystery of 19 th century London’s fog-bound streets where love, betrayal and murder lurk at every chilling twist and turn. Gripping, stylish and thought-provoking, this is unmissable theatre. Go on. Treat your dark side! James Hartland had control of the sound and made sure the cast were always heard, once or twice when soloists reached the top notes it became a little distorted.Robert Louis Stevenson’s classic novella, Strange Case of Dr. Jekyll and Mr. Hyde, was published in 1886. The Scottish author was already known for his travel writing and children’s literature – including Treasure Island – when Jekyll and Hyde appeared. However, this insightful and fantastic tale is perhaps his most unique and enduring. GENERAL LORD GLOSSOP (Dave Cain) - BISHOP OF BASINGSTOKE (Robert Hardacre) - LADY BEACONSFIELD (Sophie Sturge) - SIR ARCHIBALD PROOPS (Dan Leese) - LORD SAVAGE (Will Pope) Hyde’s vicious, almost feral side is most pronounced in the scene where he beats an old man who stops him in the street and politely asks for directions: This adaptation turns the story of Jekyll and Hyde on its head. Rather than following the story that is well known, this “reimagining” focuses on Mrs. Jekyll, one year after Dr. Jekyll’s death. The story still utilises the transformation of Mrs. Jekyll to Lady Hyde relying on the potions created by the late Dr. but it goes much further – exploring the inequality faced by women in that era. Throughout the first act, there is an unexplained “link” to the modern day that makes a frequent appearance – and it is that “link” that forms the basis of much of the second act which takes the story on an unexpected twist; pushing the audience to face and consider more current inequalities. A clear portrayal of the very selfish lord - beneath the seeming charm there was a strong streak of meanness.

In the old folkloric spirit therefore, I'm putting Mr Hyde on the sinister side but you choose, just make sure you don't mix the two up as you create your costume. PLEASED TO MEET YOU DR JEKYLL A production to satisfy Sydney's darkest imaginings: Sydney Theatre Company's Strange Case of Dr Jekyll and Mr Hyde Status was established in both posture and vocal delivery, you also presented the one member of the Board who was more sympathetic to Jekyll. Tender rapport with your daughter - just be sure to sustain breath support to the end of phrases in spoken delivery. Two different productions in two days by the same young cast of 16 on the same stage. This is a significant undertaking by the most experienced of actors so for a group of young performers to attempt it is very impressive – and they have succeeded in the task. In his 1990 portrayal of the title character, in Jekyll and Hyde, Michael Caine plays up the bodily grotesqueness of the character, making him more ogre than human. It’s a departure from Stevenson’s notion that Hyde’s deformity is sensed, but not quite visible.

THE WAISTCOAT

Mr. Hyde broke out of all bounds and clubbed him to the earth. And, next moment, with ape-like fury, he was trampling his victim under foot, and hailing down a storm of blows, under which the bones were audibly shattered and the body jumped upon the roadway. Frankenstein: how Mary Shelley's sci-fi classic offers lessons for us today about the dangers of playing God Adaptations range from horror-comedies to psychological dramas. In the 1931 film, Dr Jekyll and Mr Hyde, for which Fredric March won the Academy Award for Best Actor, the animal dimensions of Hyde are borne out visually. March dons a set of false teeth resembling canine fangs and a wig of shaggy hair that sits so low on his forehead, it almost meets his eyebrows. The text is also distinctly gothic in its engagement with supernatural themes such as metamorphosis, and its delving into the dark side of human psychology and desire. There are some interesting crossovers between Jekyll and Hyde and Mary Shelley’s seminal horror story, Frankenstein (1818). In both cases, a radical scientist brings a monstrous, violent creature to life, and is then horrified and plagued by his own creation. FINISHING BOTH: Sew on the press studs (snap fastener) or velcro so that they (it) will fasten the two halves of the cravat securely together.