Agent Seduction: Part 1: The Initiation (lesbian, hypnotism, force, military, erotica, adult)

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Deliciously dirty, 'first time' Lesbian erotica; a sexually detailed story of skilful seduction and sweet submission. Sarah, a shy young virgin-girl has always lived a protected life at home with her loving parents until the day came when they decided that it was time for her to attend college, meet other girls her same age, become a bit more worldly wise, and also get up to speed on her education. Tilly: They wanted to do it in one long continuous shot. They had guys pulling at the walls. It was like a ballet between the Wachowskis, the crew, [and us]. [They'd be] yelling through the megaphone, "Breast!" and then we knew the breast was in frame.

Tilly: [The rating board] said, "It looks like they're really doing it." And the [Wachowskis] go, "Let me get this straight. If the girls weren't such good actresses, you wouldn't have a problem?" They were embarrassed, and they said, "Yes." Lynch, who gracefully declines to say whether she’s in a relationship, found salvation in her “indoor jungle”. “Quite literally, my plants have saved my life,” she says. “I just like watering them, watching them grow, playing them good music. I’ve been playing them Cleo Sol and Kaytranada – they like calm, melodic music and being turned every couple of days. So basically, they’ve danced through me.” Lynch was born in Shepherd’s Bush in 1987, a second-generation Jamaican child of a Windrush family. Her father was a social worker for young teens and her mother is a housing manager. “They were both in service, both helping people,” she says. They separated when she was young, but Lynch continued to see a lot of both of them. She also had a formative period, between primary and secondary schools, when she lived with her grandmother. “I think that’s where the maturity came on board,” says Lynch. “You’re with an old lady, so she’s gonna teach you old-lady things!”Tilly: Once they got the two of us in the room, I thought, "This is a girl that I can really see being in a relationship with." Sitting in meetings with her at the prominent literary agency where we both worked left me feeling weak. Usually never short of things to say, in her presence, I’d marvel at her ability to drain all quips from my mind, leaving my mouth bone-dry. But I knew the cliché and I refused to succumb to the stereotype of being the young, ambitious 25-year-old who screws the boss. Tilly: We had to reshoot the last scene too because, when they were driving away, you could see palm trees reflected in the windshield. Gershon: God forbid we have these two women actually in love. We had to go with the "f—ing" scene. In the "f—ing" scene, they were really going at it, and it wasn't as emotional. They were okay with that, which is bulls–t. Gershon: [The Wachowskis] knew every angle, every cut. They came from doing graphic novels so they really had it in their heads.

Tilly: This scene here it was all [advisor and feminist sex writer] Susie Bright's friends. That's why the bar scene is so authentic—it's all lesbians. What is required,” Knight wrote, “is a clever woman who can use her personal attractions wisely.” And there you have it—the conventional wisdom about women and spycraft. Intelligence officers had long presumed that women’s special assets for spying were limited to strategically deployed female abilities: batting eyelashes, soliciting pillow talk, and of course maintaining files and typing reports. Overseeing operations? Not so much. I still have to try to change the world in a little way that I know how’: Lashana Lynch wears dress by edelinelee.com; earrings by farisfaris.com. Photograph: Gustavo Papaleo/The ObserverGershon: I really liked the hip [tattoo] that wrapped around my hip and crept up. You saw the top of it coming out of my pants sometimes. I thought that was really sexy. I had seen that on some girl at a bar, and I was like, "Oh that's hot." I’d come out when I was 17 and been disowned by my parents. I’d moved to London and been in and out relationships and casual flings. She was 40 and had been married for 10 years, with three children under the age of 10. The agency we worked for also represented her husband, an esteemed writer, so I knew I absolutely couldn’t go there. Tilly: I never met her. She was pretty much advising Gina. And the thing is, Gina's character is a lot more hardcore lesbian than Violet. Tilly: I did have so many girls come up to me—and so many drag queens saying their drag name was Violet. It really made me feel, in a weird way, like I had a responsibility when all these girls would come up to me and say that they came out of the closet and realized they were gay after they saw this film.

Gershon: Look at your body. Honestly, whenever I wasn't sure of what I was doing I would just stare at your chest. Gershon: I knew I had to curl [my toes] on cue. I think it could have been a little bit more connected to an orgasm or to a sexual feeling. I felt it was more a mechanical thing. [But] it was very fluid. No pun intended. Lynch worked closely on the character with Phoebe Waller-Bridge, the creator of Fleabag, who was brought in by Craig to punch up the script. “When I told Phoebe who I wanted Nomi to be, it wasn’t a conversation,” says Lynch. “She just said, ‘That’s exactly what I thought, fab, OK, let’s do it.’” Tilly: Gina had weights on the set, so before a scene she would work out [with] weights to make her muscles [bigger]. In some cases, women had their own blinkered views of female leadership to overcome. Barely 30 when she was recruited in 1940, Fourcade had lived abroad, and relished the liberated environment of 1930s Paris. Still, she was astonished when “Navarre,” the code name for Georges Loustaunau-Lacau, asked her to be his deputy. Being a woman surely ruled her out, she protested to the World War I hero, who was secretly mobilizing citizens worried by Nazi aggression in Europe. That was precisely why she would be above suspicion, he told her. “Good God—it’s a woman!” cried another recruit, who became one of her most trusted aides. After Navarre was arrested in Algiers in 1941, Fourcade became the undisputed leader of Alliance.Gershon: There was one take that all four of us were like, "That's the one." It was like a real love scene. You didn't see a boob. You didn't see anything; it was all suggested. It really played on our face more than anything. As a queer woman myself, I was mostly concerned that the two female characters ate a whole plate of spaghetti without brushing their teeth before commencing intercourse. Has she been climbing the walls? “You know what? No, weirdly,” says Lynch. “I’m a true believer in everything having its time. And for whatever reason the world needed its time to reset. So I feel a little weirdly unshakable at the moment. Like, if anything else was to happen tomorrow, I’d be like, ‘OK, cool, how do we get present to what’s happening?’ So I’ve had to calm down everyone else around me.” Tilly: Somebody said, "Oh, you know, females don't have any sex organs." [Susie] goes, "Yes we do; it's called a hand." So they did do a lot of shots of hands. I also love the way Sebastián chose to shoot it. It was storyboarded. All the wetness, the spitting in the mouth, the pubic hair, the vaginas, but also leaving some of it to the audience to imagine. Where is the other woman’s mouth, where are her fingers? It was important for him to focus on our faces to really capture that desire. There’s something very spiritual about their sex. I’m really proud of it."