The Keep Within

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Paramount released a theatrical trailer and television spots in promotion of the film, which include various footage from the extended versions of the film that do not appear in the final cut: Among them are a longer conversation between Woermann and Alexandru in which Woermann says that the keep looks like it was built to keep something in; a longer version of the scene where Molasar is talking with professor Cuza for the first time (also in this scene Cuza asks Molasar "What are you?" one more time); Glaeken talking with Eva asking her if she found what she was looking for and if she expected to find him; Glaeken touching Eva's face while she asks "What's happening to me?"; Glaeken walking inside the keep with his eyes turning white; longer version of the ending where Glaeken is standing at the entrance of the keep looking over Molasar's fog/white smoke; different version of the scene (different visual effects) where Glaeken is walking towards the room where Molasar is waiting for him (in this alternate scene Glaeken's sword is covered with some glowing grey light). Since the 16th century, the English word keep has commonly referred to large towers in castles. [3] The word originates from around 1375 to 1376, coming from the Middle English term kype, meaning basket or cask, and was a term applied to the shell keep at Guînes, said to resemble a barrel. [4] The term came to be used for other shell keeps by the 15th century. [3] By the 17th century, the word keep lost its original reference to baskets or casks and was popularly assumed to have come from the Middle English word keep, meaning to hold or to protect. [3] The timber structure of surviving medieval bell towers have provided archaeologists with indications of at least some of the architectural techniques available at the time. [20]

Kenyon, J. and M. W. Thompson. (1995) "A Note on the Word 'keep'", Medieval Archaeology 38, pp.175–6. Anyone work on 'The Keep' in 1980s". Life in the Vertical. 8 July 2011 . Retrieved 14 December 2012. On 12 February 2016 at BAM, an Internet fan question asked whether Mann had plans to re-release his 1983 sci-fi horror film. Mann's answer: "No... we were never able to figure out how we were to combine all these components that were shot (pre blue and green screen). That one’s going to stay in its..." at which point Mann trailed off. [ citation needed] Home media [ edit ]As you can see a lot going on yet Worrad knows when to let one plot point breathe; move on and then I the latter half collide with gusto. The story is always moving – dramatic, violent and thoughtful. Its also quite refreshing how this story handles queerness as something people understand happens and accepts it (interestingly less so in the Keep but the wider town seems far more enlightened). This is a story where people have not just passion for power but want to be loved or sometimes just take pleasure for its own sake. It adds to that feeling of this being almost a version of some forgotten bawdy and bloody play set in this world. But by the end as the cast gets smaller, and all comes to light we see an interesting commentary on exactly why do people want power when they rarely do anything with it for anyone else? An usual but much more interesting idea we don’t get in too many novels even today.

The Working Group III report provides an updated global assessment of climate change mitigation progress and pledges, and examines the sources of global emissions. It explains developments in emission reduction and mitigation efforts, assessing the impact of national climate pledges in relation to long-term emissions goals. But don't just take my word for it! Titan Books is giving away copies, so you can find out how awesome this book and how talented Mr Worrad is for yourself. Fill out this form for a chance to win a copy of this excellent novel. As far as dark worlds go, The Keep Within doesn’t disappoint. It takes an already dark world and layers a bit more complexity on it. I loved the characters . . . as much as one can love a group of despicable gray characters that would rather stab someone than consider their own insecurities and shortcomings. Which, you know, is a lot of love, given the sort of characters I prefer. The only real downside I found in this book is that the big, overall plot ends on mostly a technicality (a brilliant one, but still) and a world where the magic is a little too soft, where I didn’t understand much of it. Armitage, Ella S. (1912) The Early Norman Castles of the British isles. London: J. Murray. OCLC 458514584.Navarro, Alex (5 January 2011). "It Came from My Instant Queue: The Keep". Screened. Archived from the original on 31 December 2013 . Retrieved 28 December 2013. Gaine, Vincent M. (2011). Existentialism and Social Engagement in the Films of Michael Mann. New York City, New York: Palgrave Macmillan. ISBN 978-0-230-34844-8. The Keep Within tells the story of the Brintland royal family, focusing on several key individuals. The story revolves around the current King, Ean, his wives Carmotta and Emmabelle, and a couple of the King's bastard brothers, Osrin, and Harry Larksdale. Larksdale is one of our main protagonists for the book, and we follow the story from his point of view for a good portion of it. Harry has grown up with a love of the arts and story telling, and runs a well respected theatre in the city. He has plans to be more than just a theatre manager, however, and is aiming to have himself named the next Master of Arts and Revels by the King. To this end, he does his best to keep the King happy, providing him with any women he wants, and various intoxicants for the high court parties. Although medieval writers typically referred to Norman keeps as a magna turris, or great tower, there was no specific contemporary term for a shell keep. [29] In 2006, IDW Publishing published a 5-issue limited comic book series of the original novel written by American author F. Paul Wilson and drawn by Matthew Dow Smith. The collected series included a foreword where F. Paul Wilson answers the question of exactly why he scripted a graphic novel version: "Because I consider this visual presentation of THE KEEP my version of the movie, what could have been... what should have been."