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Clear and realistic 48kHz/24-bit audio can be recorded by the built-in or an external microphone, while high-resolution 96kHz/24-bit recording is possible with external and XLR microphones. Under the hood the S5 IIX brings enhanced video modes that are better suited to extensive post-production work. New to the S5 II X is Wired Streaming up to 4K/60p and FHD/60p Wireless IP Streaming, and SSD recording via USB-C 3.2 which enables full sensor Apple ProRes recording internally up to Full HD at 60fps 422 HQ and full sensor Apple ProRes recording externally up to 5. 8K/30p 422 HQ with a hefty data rate of 1.9Gbps. A new file will be created to continue recording if the file size exceeds the following conditions.
Does the S5 II do enough to be seen as a serious contender to the likes of Canon's EOS R6 II or even Nikon's Z6 II? It helps its case that Leica, Panasonic and Sigma are doing a good job of building a system around the L-mount, meaning there are many more native lenses available than for Canon or Nikon's mirrorless systems. The LUMIX S5IIX and S5II also boast an upgraded image stabilisation system to greatly enhance handheld shooting in a wide range of conditions and situations. The new Active I.S. provides highly stable video recording by optimising horizontal, vertical and rotational correction. Compensating as much as 200% 2 compared to conventional stabilisation, Active I.S. is especially effective in traditionally challenging conditions for handheld shooting, such as using telephoto lenses or filming while walking. Panasonic has also improved its image stabilization system, promising a performance twice as effective as in the S5. For its revised system it's adopted the branding 'Active IS,' though it hasn't been very specific about how these improvements have been achieved.
If video is important to you, look no further than the Panasonic Lumix S5 IIX—which is arguably Panasonic's greatest camera ever.
There are a host of other video assist features in Lumix cameras, not specific to the S5II X, which is a strength of this system. Including professionally recognized tools such as waveform monitoring, anamorphic lens de-squeezing in camera, luminance spot metering, histogram, and more, make these cameras ideal for video creators. The 3” vari-angle monitor is crisp and clear and is also touch-sensitive. The OLED EVF is superb, with plenty of detail provided by its 3,680K dot resolution.
Motion pictures with 200Mbps or less: External USB-SSD, SD memory card with UHS-I / UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30 or higher Both cameras, the S5II and the S5IIX, are equipped with the same 24.2MP full-frame sensor and processing engine, implying that, all else being equal, the image quality should be identical.
Panasonic Lumix S5IIX Features
Key full frame video resolutions: [6K] 5952×3968 (3:2): 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), [6K] 5952×3136 (17:9: 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), [5.9K] 5888×3312 (16:9): 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), [C4K] 4096×2160: 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM), 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM), 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM), 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM), 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), [4K] 3840×2160: 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM), 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM), 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM), 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM), 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) The camera's battery life rating is a rather disappointing 370 shots per charge, per CIPA standard testing methods. As always, these numbers tend to significantly underestimate how many shots you can typically expect (unless your shooting style is very energy-intensive). A 370 shot-per-charge rating will typically give you plenty of charge for a day's shooting, but you'll want to keep a USB power source near to hand for intensive shoots. A power-saving mode gives a rating of 1,250 shots per charge for viewfinder shooting. The fan means the S5 II can record for unlimited periods in most of its video modes, as tested by Panasonic at temperatures of 40°C (104°F). Panasonic points out that most of its rivals only quote figures for 22–25°C (72–77°F), which is significantly less demanding and less representative of average temperatures across much of the US. Video As I mentioned earlier, the Panasonic Lumix S5IIX has a newly designed 24.2MP full-frame CMOS sensor. That’s the same resolution as the Panasonic Lumix S5 but like the S5II, the S5IIX has phase detection pixels on the sensor. This means that S5II and S5IIX have a hybrid focusing system that uses both phase detection and contrast detection. It’s a welcome arrival and something that videographers have been asking for from Panasonic for a long time.
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