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a b "Blek le Rat: This is not a Banksy". The Independent. London. 19 April 2008. Archived from the original on 8 August 2011. This has given the artist a new way of disseminating their work, allowing their presence to extend beyond physical space. Social media has also given graffiti artists another tool for communication, allowing them to have more eyes viewing their work and reach audiences beyond their physical location. Pintura que será la base para nuestro graffiti, esta es la que se aplicará con el rodillo, es importante agregar esta pintura de base si queremos que nuestro dibujo quede con un mejor acabado. Onyanga-Omara, Jane (14 September 2012). "Banksy in goal: The story of the Easton Cowboys and Cowgirls". BBC News. Archived from the original on 16 September 2012 . Retrieved 14 September 2012.

Banksy works set auction record". BBC News. 20 October 2006. Archived from the original on 9 February 2007 . Retrieved 20 October 2006. His form of graffiti is also usually used within the category of hand lettering as another text style. Whitehurst, Lindsay (17 November 2014). "Man who damaged Banksy art in US gets probation". Associated Press. New York. Archived from the original on 22 November 2023 . Retrieved 22 November 2023. Pero yo lo que te voy a enseñar es a dibujar graffitis, pero no estoy alentando a que hagas esto por las calles de forma ilegal. Para pasarlo por la tabla, se tiene que hacer en una sola dirección y si es necesario pasarlo varias veces, entonces lo haremos para obtener un tono mucho más uniforme. Paso 4. Graffiteando ContornoIconic Banksy image painted over". BBC News. 20 April 2007. Archived from the original on 25 May 2007 . Retrieved 20 April 2007. Wells, Jeff (15 August 2011). "Guerrilla artists at war over style accusations". Western Daily Press. p.3.

In the early days, the ‘taggers’ were part of street gangs who were concerned with marking their territory. They worked in groups called ‘crews’, and called what they did ‘writing’ – the term ‘graffiti’ was first used by The New York Times and the novelist Norman Mailer. Art galleries in New York began buying graffiti in the early seventies. But at the same time that it began to be regarded as an art form, John Lindsay, the then mayor of New York, declared the first war on graffiti. By the 1980s it became much harder to write on subway trains without being caught, and instead many of the more established graffiti artists began using roofs of buildings or canvases. Many works that make up the Better Out Than In series in New York City have been defaced, some just hours after the piece was unveiled. [221] [222] At least one defacement was identified as done by a competing artist, OMAR NYC, who spray-painted over Banksy's red mylar balloon piece in Red Hook. [223] OMAR NYC also defaced some of Banksy's work in May 2010. [224] [225] Oh, Inae (28 October 2013). "Banksy Bashes One World Trade Center In Rejected New York Times Op-Ed". HuffPost. Archived from the original on 4 January 2014. Banksy's name and identity remain unconfirmed and the subject of speculation. In a 2003 interview with Simon Hattenstone of The Guardian, Banksy is described as "white, 28, scruffy casual—jeans, T-shirt, a silver tooth, silver chain and silver earring. He looks like a cross between Jimmy Nail and Mike Skinner of The Streets." Banksy began as an artist at the age of 14, was expelled from school, and served time in prison for petty crime. According to Hattenstone, "anonymity is vital to him because graffiti is illegal". [12] Banksy reportedly lived in Easton, Bristol, during the late 1990s, before moving to London around 2000. [13] [14] [15]Sherwin, Adam (3 March 2016). "Banksy: Geographic profiling 'proves' artist really is Robin Gunningham, according to scientists". Independent. Archived from the original on 4 March 2016 . Retrieved 4 March 2016. SWOON (née Caledonia Curry) is a female street artist who was born in New London, Connecticut, raised in Daytona Beach, Florida, and now resides in New York City. She began creating Street Art in 1999, spending several days in her studio preparing wheat paste posters made of recycled newspaper, and then transporting the finished works to urban public spaces where she pasted them onto walls. She, like many other street artists, favors this method as it allows her to execute detailed works while spending minimal time at the intended location. She has explained that Street Art was important to her as it allowed her to have an impact on the urban landscape, rather than disappearing into obscurity by creating commercial art that would remain hidden inside a gallery or private collection.