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Through his incorporation of Ben-Day dots, Lichtenstein explored themes of mass culture, consumerism, and the deconstruction of artistic hierarchies. His paintings often depicted popular imagery, such as comic book characters, in a larger-than-life format. He invited viewers to reconsider the value and significance of these seemingly mundane subjects. However, it is worth noting that Warhol and Lichtenstein actually riffed on different types of printer’s spots. While Lichtenstein painted dots similar to Ben-Day, Warhol dots, which vary in both spacing and size, come from halftone screening. Create your own Ben-Day dots How to create your own Ben-Day dots character with adobe illustrator We are almost done. Since we are creating this effect for an avatar, you might want to make the dots smaller or bigger after seeing how it looks like a small icon. You can keep the width of the dots even if you change the illustration size. Thomson said the following about the thought behind these flourishes appropriated from the source medium:

There are numerous ways in which you can create these famous dots right in your studio, but we will talk about just a few of them today. Use Crayons In both techniques, the dots are arranged on a square grid, though Ben-Day dots are of the same sizes while halftone dots are of different sizes. Thompson tried to envisage what it would be like to live in the world as the leading character of the film, Miles, and how those printing deficiencies and complexities would logically be part of that world. It was primarily used in color comic books between the 1950s and 1960s to produce the effects of shading and a secondary color without spending a lot of money.By appropriating this technique, Pop artists explored the visual language of popular culture and reinterpreted it within the context of fine art. The Ben-Day dots are tiny dots in different colors used in a commercial printing technique. The technique was invented by illustrator and printer Benjamin Henry Day, whom it was named after, in 1879. Lichtenstein uses the materials of his time in his work. His artwork ‘Sandwich and Soda’ 1964 is a screen-print on polystyrene. Printed on plastic, this is one of Lichtenstein’s earliest Pop prints and the first to be made on a surface other than paper. At first, people were offended by Lichtenstein’s use of commercial subject matter, but this exhibition brings us closer to understanding the work of this iconic artist. Lichtenstein was accused of copying his sources, but his reply was, ’My work is actually different from the comic strips in that every mark is really in a different place, however slight the difference seems to some. The difference is often not great, but it is crucial.’’

I love Lichtenstein’s use of colour. As much as he is considered a commercially inspired artist, there is something spiritual about his work also. , ‘Moonscape’, 1965, screen print on plastic is a wonderful deep hue, and the intensity of that blue conjures up so many emotions. Again seascape, 1965 uses materials of the time, plastic and screen print to celebrate the materials and ways they are used within the artistic process. Roy never painted Ben-Day dots; instead, he painted his own dots. For example, if you compare one of Lichtenstein’s pieces titled Sleeping Girl (1964) with its comic book source No Cure For Love – Heart Throbs no. 70, Feb –Mar 1961 by John Romita, you will clearly spot the difference. They do not look alike. Incorporating Pointillist principles, Pop artists employed Ben-Day dots as a way to imitate the visual style of printed images, advertisements, and comic books. The systematic placement of dots allowed them to achieve uniformity and create the illusion of colour and texture, similar to the way Pointillist artists created depth and luminosity through their meticulously placed dots.The purpose of Pointillism extends beyond mere technique. Pointillist artists aimed to challenge conventional methods of colour mixing and capture the effects of light and colour in a more scientific and calculated manner. By meticulously applying individual dots of pure colour, they sought to create vibrant and harmonious compositions that were rich in visual texture and luminosity.