Tritonaudio FetHead - Studio Preamplifier

Product Information

EIN is used for specifying noise levels in pre-amps. It’s quoted as a negative value in units of dBu, and the lower the EIN, the better. Another way to compare these two in-line mic preamp choices is by asking yourself a series of questions about your gear, process, and ideal price: Each one has a different application so it’s important to understand which would be the best fit for your particular needs. By the end of this article you’ll have a good idea about which direction you need to take. When it comes to inline mic activator type preamps, in my opinion there are two standout models. Cloudlifter CL-1

For live broadcasters, the compact design of this mic activator can make all the difference. By providing a clean boost without complicating it, FetHead allows you to keep things simple while still achieving the most accurate audio possible. The FetHead works with dynamic microphones (both moving coil and ribbon) but not with condenser microphones.Many dynamic and ribbon mics have low sensitivities and need at least 60 dB of gain for good results. When compared to other preamplifiers with a similar cost, FetHead is noted for its low noise, crisp, and clear end result.

The frequency response range of the FetHead is larger than the CL-1. The FetHead is also, by and large, the flatter of the two responses, meaning that although this additional gain does bring up the noise floor somewhat, the gain is more transparent overall. FetHead Phantom is specially designed for condenser microphones. It works very well with all condenser microphones.FetHead Phantom is also an indispensable toolfor mobile recording and a real upgrade for camera microphone preamps, because it lowers the noise floor. The FetHead has a simple, tube-like construction with a robust metal chassis. It has an XLR connection at each end, one for your mic input (3-pole female XLR connection) and the other for your cable output (3-pole male XLR connection).Very high quality outboard preamps can cost thousands of dollars so for the average podcaster, models at this price range don’t make too much sense unless money is no object. My audio interface or mixer has a preamp built-in, why do I need another one?

The best preamps for the Shure SM57 include the Cloudlifter CL-1, the Triton Audio Fethead and the Golden Age Project Pre-73 MKIII Microphone Preamp. Older broadcast quality outboard preamps such as the Alice Mic-Pak also work great with the SM57.The correct name for a Cloudlifter is a mic activator. However, these are sometimes referred to as inline preamps because it’s essentially doing the same sort of a work as a preamp by providing gain to a microphone to bring it up to a suitable level for recording. This lightweight, portable, and easy-to-use activator adds gain without distorting the audio. If you have a low output ribbon or dynamic mic and an eye for simplistic, no-frills gear, FetHead should meet your needs and more. Cloud Microphones Cloudlifter Made of high-quality steel, it can also help protect older ribbon microphone styles that can be damaged by phantom power. Its portability makes it the perfect choice for the artist on the go. Performance