Pioneer DJ PLX-500-K Direct Drive DJ Turntable, Black

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The launch of Pioneer’s high-end PLX-1000 DJ turntable in 2015 caused a few ‘oohs’ and also ‘ahhhs’, and also fitted perfectly into that space left by the demise of the mighty Technics 1210. Lastly, the metal platter underneath isn’t as dense as the PLX-1000. It doesn’t feel as solid as the flagship. Turntables are fussy things – they rely on a tiny needle sitting in a record groove. This is why the best DJ turntables are built like tanks, weigh a ton, and often expensive. The added mass and weight make them less prone to unwanted vibrations and bumps, especially when you’re stood next to a pair of bass bins. When you cut corners to make a DJ turntable, compromises are inevitable. Here’s where it gets ugly for the PLX-500. The combination of its plastic build and motor led to problems for me when it came to scratching. I needed a lighter touch to prevent the platter from stopping while I was doing some basic scratches, and it took a while for the platter to spin at its full speed once I let go of the record.

The characteristically beveled, patterned platter edge, and strobe speed control system resembles the famous SL-1200. The tonearm belongs to the 9-inch category, and it is S-shaped. The head is tightened (the possibility of its replacement increases the turntable’s tolerance field for various types of inserts). The design of the column and the gimbal suspension system, with a large frame and bearing arrangement, also refers to the SL-1200 scheme. Tonearm Type: Universal type S-shape tone arm, Gimbal-supported type bearing structure, Static balance type It is pretty simple. However, for the price, there is no better vinyl player currently on the market in terms of the quality of sound! The aluminum platter looks impressive due to the “centered” outer flange, which is part of the classic strobe rotation control system.It appears like a PLX-1000 (as well as a result a Technics), but it does not inherit all the muscle of its (₤ 500+) huge brother. The base of the column is equipped with a large ring, with which (after releasing the latch) we can conveniently adjust its height. This is one of the best solutions of this type and quite unique in this price range (it is not easy to find VTA regulation here at all). The inbuilt LED indicator light enables you to estimate the record’s speed at a glance in low light settings. How about Inputs and Outputs? The drive is the mechanism that actually makes the turntable turn. First and foremost, you’ll want to make sure that drive is capable of playing the record at the correct speed (33 or 45 RPM — or in rare cases, 78 RPM). Then there’s the actual type of mechanism, which can be either a belt drive or a direct drive. Belt-driven players are the old school type still preferred by connoisseurs since they tend to be more silent. As a trade-off, you may have to replace the belt eventually if your player sees a lot of use. Direct drive turntables have a dedicated motor that spins the platter, which is sometimes audible but more convenient.

Watching the platter was a necessity when manually correcting the rotation, electronics are responsible for everything here, precisely setting 33, 45, and even 78 rpm (buttons), additionally, the rotation can be changed at the pace of +/- 8% (using the slider). Although you would be hard-pressed to tell the PLX-1000 and the PLX-500 apart from just looking at them, however, once you get them in hand, the differences become more apparent. Unlike the PLX-1000 (which has a full metal body), the Pioneer DJ PLX-500 has a mostly high-grade plastic shell. Although the platter and the tonearm are made from metal. Setting the Pioneer up is reasonably straightforward and should not prove too challenging, especially if you have access to a stylus force gauge. Once up and running, the Pioneer does a fair amount right – but not everything. Listening to Biffy Clyro's Only Revolutions, the PLX-500 has some traditional direct drive attributes. The sound has a rhythmically engaging and propulsive quality and as you might expect, pitch stability is pretty much absolute. The 500’s platter isn’t as unfailing as a 1210, but when you have actually got accustomed to it, it appears sailing.

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Also, the tone-arm shoulder looks a little cheap, but you've gotta keep costs down somewhere, right? And, fair play, it doesn't mess with performance - if you calibrate the weight, height and anti-skipping dial to match your stylus and needle set-up, then you're golden. The PLX-500 is a direct-drive turntable with three speeds: 33, 45, and 78 RPM. It looks a lot like the PLX-1000 and the Technics 1200: it has a power knob, a start / stop button, target light, a tonearm and tonearm assembly that looks like what you’ll find in a standard Technics 1200 or PLX-1000, and a pitch fader that lets you adjust platter speeds up to -/+ 8%. The S-shaped arm is static-balanced, meaning the user can also adjust the tonearm’s height and weight thanks to the counterweight and anti-skating dial. But remember to dis-engage the anti-skating if you are going to be scratch DJ’ing. First Impressions / Setting up The Pioneer DJ PLX-500 is an entry-level turntable meant for ripping vinyl and home use. The Pioneer DJ series made its debut on the turntable market relatively recently but immediately won recognition and a place on shelves with the PLX-1000 model. In 2016 the company presented a new, cheaper turntable marked as PLX -500. With this turntable Pioneer is trying to conquer two groups of recipients – one group is DJs, especially the beginners, and the other group is casual record listeners.

This makes it quite challenging to pull off more intermediate / complex scratch phrases. No doubt a skilled turntablist will be able to adjust accordingly, but it may lead to frustration for beginners, and intermediate DJs will be able to tell the difference after just a few tries. The PLX-500 looks good at first glance– above all, it does not reveal that it is (by DJ standards ) a mid-range turntable. Visually, it does not differ significantly from the more than twice as expensive PLX-1000. Nice metal start buttons, platter speed changes, or pitch attachments are pleasing to the eye. They all look confident. Next, I wanted to try ripping some tunes, so I hooked one PLX-500 to to my laptop via USB and fired up Rekordbox, which has a vinyl recording feature. Again, no issues and it worked fine. So far, so good. My expectations are being met, which got me excited about my next test, which was spinning. DJingLooking from above, we see the On/Off switch, the large Start/Stop button, and the three-speed selector. This offers you a choice of 33, 45, or 78 rpm. Pioneer have also kept the +8/-8 pitch fader, which works great for pitch bending (even though the motor is not as powerful as the PLX-1000). At first glance, maybe glimpsed in a darkened club, the PLX-500 could easily be mistaken for a classic Technics turntable. The PLX-500 is a slimmed-down version of the PLX-1000 that Pioneer introduced two years ago, and is actually a rebrand of a copy. It's made for Pioneer by the Taiwan ODM specialist Hanpin, which manufactures a huge range of cheap and cheerful turntables. Hanpin turntables are often rebranded by companies that no longer have the expertise or resources to make them in-house. I would recommend Pioneer PLX-500 to beginner DJs who want to learn how to play, plus have the pleasure of listening to vinyl records from time to time. For people who have already decided on a DJ career, the PLX -1000 will certainly be more recommended. Arm Type: Universal type S-shape tone arm, Gimbal-supported type bearing structure, Static balance type Pioneer DJ has done an OK job at distilling the essentials of what a DJ turntable is (eg pitch control, acceptable torque, adjustable tonearm), and it is fine for those who want to get started, but this is not something you’d want to take to a gig because of its relatively hollow build. Intermediate and pro DJs will want to save up and look elsewhere – the Reloop RP-7000 for example, is a better option that costs less than Pioneer DJ’s flagship PLX-1000. Of course, you can also go the used route and get a pair of Technics 1200s.

With the directly driven PLX-500, Pioneer has an attractively priced turntable in its range. Its torque, synchronism, and robust chassis with solidly anchored platter provide the basis for professional application and scratching with vinyl. The sound has largely convinced me. Another argument for the PLX-500 is its integrated sound card, which sends the signal to a connected computer without additional hardware. Vinyl lovers can thus digitize their record treasures via record box. DVS operation with a record box, even an app on the iPad, is possible without additional “dongle” hardware. For me, the PLX-500 is a great turntable in its price range. Using the PLX-500 with Rekordbox DJ was the last thing on my list. It doesn’t come with a Rekordbox DVS licence, and you still need to hook up a Rekordbox DVS-enabled mixer or DJ controller to your laptop. I have a licence and timecode vinyl that came with my DDJ-RZ, so I tried it out. Getting it set up and calibrated was a breeze (as is the case with DVS these days).Still, I was able to mix and beatmatch between two records. Admittedly, it was quite satisfying to know that I could still do it after all these years of DJing on a controller, and to be honest, it felt I had switched gears and was doing a different, more introspective style of DJing since there weren’t any screens around (and because I was playing some obscure minimal techno that I can’t pronounce). You can, for example, listen to Beatles ‘She Loves You’ at “natural” speed (on official releases, apart from some Japanese releases, the song is accelerated by several percent, of course consciously, by George Martin’s decision from 1963).