Paisley Cotton Bandana 3 pack Red White Black

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Paisley: The story of a classic bohemian print". Archived from the original on 27 May 2018 . Retrieved 31 May 2018. From roughly 1800 to 1850, the weavers of the town of Paisley in Renfrewshire, Scotland, became the foremost producers of Paisley shawls. Unique additions to their hand-looms and Jacquard looms allowed them to work in five colours when most weavers were producing paisley using only two. [19] The design became known as the Paisley pattern. By 1860, Paisley could produce shawls with 15 colours, which was still only a quarter of the colors in the multicolour paisleys then still being imported from Kashmir. [19] a b Ringer, Monica (13 December 2011). Pious Citizens: Reforming Zoroastrianism in India and Iran. Syracuse University Press. ISBN 978-0-8156-5060-7. Archived from the original on 10 September 2020 . Retrieved 24 December 2019. The modern French words for paisley are boteh, cachemire (" cashmere"; not capitalized, which would mean " Kashmir, the region") and palme (" palm", which – along with the pine and the cypress – is one of the traditional botanical motifs thought to have influenced the shape of the paisley element as it is now known). [6] [29] [ failed verification] Paisley bandanas are not only fashionable but also highly functional. They provide protection from the sun, wind, or dust, making them ideal for outdoor activities, festivals, or simply adding flair to everyday wear. In addition, the versatility of these bandanas allows them to seamlessly transition from casual to formal settings, making them a favorite accessory for individuals seeking a touch of individuality and flair in their style.

The mango house". 24 July 2008. Archived from the original on 7 February 2016 . Retrieved 9 January 2016.Local manufacturers in Marseille began to mass-produce the patterns via early textile printing processes in 1640. England, circa 1670, and Holland, in 1678, soon followed. This in turn provided Europe's weavers with more competition than they could bear, and the production and import of printed paisley was forbidden in France by royal decree from 1686 to 1759. However, enforcement near the end of that period was lax, and France had its own printed textile manufacturing industry in place as early at 1746 in some locales. Paisley was not the only design produced by French textile printers; the demand for paisley which created the industry there also made possible production of native patterns such as toile de Jouy. [18]

Zaman Niaz (1993). The Art of KANTHA Embroidery (Second Reviseded.). Dhaka, Bangladesh: The University Press Limited. p.82. ISBN 978-984-05-1228-7. Urdu and Punjabi: Kerii". 22 November 2010. Archived from the original on 24 June 2015 . Retrieved 24 June 2015.In the 18th and 19th centuries, the British East India Company introduced Kashmir shawls from India to England and Scotland where they were extremely fashionable and soon duplicated. [11] The first place in the western world to imitate the design was the town of Paisley in Scotland, Europe's top producer of textiles at this time. [12] Before being produced in Paisley, thus gaining its name in western culture, the paisley design was originally referred to by westerners simply as just pine and cone design. [13] Technological innovation in textile manufacturing around this time made it so that western imitations of Kashmir shawls became competitive with Indian made shawls from Kashmir. [14] The pattern is still commonly seen in Britain and other English-speaking countries on men's ties, waistcoats, and scarfs, and remains popular in other items of clothing and textiles in Iran and South and Central Asian countries. The Prohibition Years, 1686–1759", Le Musée de l'Impression sur Etoffes[ The Museum of Printed Textiles], archived from the original on 21 February 2008 , retrieved 3 February 2008 .