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Casual drone flyers won’t need to venture beyond the main interface. There’s a take-off and land button (which is also on the controller), a map shortcut in the bottom left, a shutter release button on the right as well as a mode switcher, gallery shortcut and a toggle between manual photo and video. I was impressed with the original Mavic Mini and am even more delighted with the upgrades that the Mini 2 boasts. The updated motors really make all the difference as far as general noise and acceleration are concerned. Lately, it's been windy where I live, and the drone handled gusts quite well, delivering smooth footage and crisp images. As for the transmission tech, the Mini 2 doesn't rely on Wi-Fi communication. With OcuSync 2.0, dual-frequency transmission automatically alternates between channels to prevent signal interference between the remote and drone. DJI claims connectivity up to 10km (6.21 miles). While that's impressive, it is important to keep the drone within your visual line of sight at all times. Flight time is measured in a controlled test environment. Specific test conditions are as follows: flying forward at a constant speed of 17 kph in a windless laboratory environment, in photo mode (without photo-taking operation during flight), and from 100% battery level until 0%.
Vision positioning requires non-reflective, discernable surfaces, and adequate lighting. Available at altitudes from 0.5-30 m. The vertical and horizontal positioning accuracy is within ±0.1 m.As you'd expect with such a small sensor, this isn't a drone for shooting in gloomy conditions. The Mini 2's video struggles when the sun drops, though its photos bear up a bit better. Its propensity to underexpose slightly also compounds middling performance in dimly lit scenes. In turn, we’d recommend keeping flights to bright and beautiful days when possible. Unedited footage can look a bit flat and underexposed in overcast scenes; it’s clear DJI processes footage cautiously and with video editors in mind. The clarity is respectable. Digital zooming is limited to about 2x if you’re shooting in 4K, though you can get usable 3x zoom footage at 1080p. As soon as the light drops, though, so too does the Mini 2’s usable zoom range, and indeed usable footage. The Mini 2 SE isn't far off from other small folding drones in concept. Its arms collapse in for storage to create a 2.3-by-3.2-by-5.4-inch (HWD) frame. To keep costs low, the drone shares much of its tech with earlier models in the series; its airframe and motors are from the Mini 2, and its camera is from the original Mavic Mini. The camera has a 24mm angle focal length with support for 2x and 3x digital zoom. The 2x looks close to lossless to me, and I wouldn't be surprised if the drone is simply cropping into its Type 1/2.3 CMOS sensor; the Mini 2 SE's camera sensor has 4K worth of pixels after all. The 3x punch-in mode looks a little soft to my eye but is still usable. Out-of-camera JPGs match the standard profile in look, but don't leave a lot of room to edit Although it isn't immediately obvious to the eye the Motors have been given an increase in power compared to the predecessor. the software is also able to identify a crosswind and help maintain a hover in wind up to 24mph (force five). All of this, together with the new controller, makes you feel close to big-drone confident flying the Mini 2.
While the DJI Mini 2’s hardware is very familiar, the improved motors, stabilization and wind resistance help lighten the camera and gimbal’s workload, and the results generally impress. DJI decided it was time to do away with the remote from the first Mavic Mini. Replacing it is a remote that replicates the design and functionality of the controller on the Mavic Air 2. This upgrade makes sense for a lot of reasons; it's easier to hold and despite the fact that I still find it challenging at times to clamp my smartphone in, its placement above rather than beneath the remote makes viewing the display screen way more convenient.Raw images are a bit flatter, color-wise, and retain more data. They're what you'll want to use if you want to fine-tune the look of your images, but it does mean you'll need to take some time to edit them before sharing. As happy as I am to see Raw added for serious photographers, it would be nice to include more tools those who want to add some artistic flair to their aerials when capturing ready-to-share JPGs.
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