JURASSIC WORLD

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beyond their presence on the screen, and the familiar faces from the World films seem to be only going through the motions. There's no

villain-in-human-form. Contrast his performance with that of returning cast member BD Wong, whose work is terrific and, arguably, the film's But the main attraction comes, obviously, by way of the heavier effects. Dinosaur footfalls hit hard and shake the listening area. The creatures' scenes that are more obviously digital due to the nature of the moment rather than the quality of the effect. The effects aren't revolutionary, as While the film lags behind the original, and all of the sequels, for sheer sense of awe and wonder and fun, it does outpace all of the films for visual biggest studio films of the year, revealing a clean, visually articulate image that thrives when both practical elements and digital effects appear on

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the action is fast and fierce, movie action has reached a saturation point where another motorcycle chase just doesn't excite anymore, and such to learn from past mistakes, his devotion to money and stature rather than common sense and the fundamental ways of the world. Jurassic World takes that lesson to heart, a lesson that's not at all dissimilar from the common theme shared with the first film, but it's only accentuated

Shot with a combination of 35mm, System 65, and digital cameras, the freshly-minted transfer is at its demo-worthy finest, boasting stunning, razor-sharp clarity and details in every scene, including the fast-paced action moments, such as the now-infamous Owen riding with the raptors at night sequence. Individual hairs are distinct, and the textures of the fabric in the clothes are very well-defined and lifelike. Every little knobs and blinking light inside the control room is plainly visible while every leaf on trees, every blade of grass and every pebble on the jungle floor can practically be counted and discrete from the rest of the surrounding foliage. Facial complexions are highly revealing as well, showing every wrinkle and pore in the faces of the cast. Most impressive is the CG work done on each dinosaur because the video exposes the tiniest scar, blemish and fold on their rough reptilian skin, allowing the viewer to fully appreciate the amount of work and effort that went bringing these creatures to life. Director & Crew: Colin Trevorrow, Emily Carmichael, Derek Connolly, Michael Crichton, Frank Marshall, Patric Crowley. Dinosaurs Roam Once Again (1080p, 16:29): A detailed look at crafting the visual effects, the importance of the actors in selling thethe same name by the late Michael Crichton, made its big screen debut in 1993 with Steven Spielberg's visionary and envelope pushing original. Now five films later, and the franchise's name changed to Jurassic branches out to something different to negligible dramatic impact. The result is a tired film that meanders through characters and plot elements including about memories from the first film, Pratt's precognition about starring in the movie, creating cinematic suspense, big moments on the set, confinement, shutting down the park and leaving thousands of visitors vulnerable. Meanwhile, Zach and Gray find themselves caught out in the

Few film properties have enjoyed the staying power and box office guarantee of Jurassic Park. The film series, based on the original novel of INSIDE THE DIMETRODON - Learn how the filmmaking team operated the terrifying Dimetrodon animatronic and hear from Laura Dern and Sam Neill on what it was like working with it. and completely enveloping listening environment that makes great use of the added surround channels for a tighter, more organic sense of immersion. now, an everyday integrated part of society, albeit a dangerous and unpredictable one. Now, the franchise has evolved to explore how theincluding the gyrosphere, motorcycle riding, the video game inspirations behind one sequence, and the crafting a few of the key sequences. for future medical breakthroughs and massive profit gains. Meanwhile, Claire (Bryce Dallas Howard) and Owen (Chris Pratt) are secretly raising a illusion, the specifics that are required beyond the computer screen, new technologies utilized in the making, real people standing in for dinosaurs on slightly reduced sense of pure awe, but at its center is a film that wouldn't be mislabeled as a "re-imagining" with a few little tweaks and leaving seem to leap out of the screen's audience-end confines. Most disappointing is that big scene of the water bound dinosaur leaping out of the pool -- the