Kodak 6031470 Color Plus 200 135/36 Film

Product Information

The images, may they be portraits, landscapes, everyday snaps, or professional work, will come out very vibrant and contrasty, which can be a turn off for some who prefer more faded pastel tones. Just my personal opinion, but I think these would have been more pleasant without the artificial sharpening. Probably, and no doubt justifiably, they fell foul of no end of health and safety concerns, a nicked finger on the broken end could have been very nasty. While it does handle gentle pushing and pulling reasonably well, its best images come when shot at box speed in strong light.

By purchasing anything using these links, Casual Photophile may receive a small commission at no additional charge to you. The majority of today’s binoculars have a twist up eyecup design and so can be quickly adjusted for optimum comfort. Maybe the machine producing Color Plus just keeps working against all odds… Leica M6 | MS-Optics 35mm 1. Recently I thought I would give colour negative film a try again having used a great deal of this film type in the past, which I used to process myself in Neofin Colour chemistry. In my 60 or so years of serious involvement in photography I have seen the demise of the viewfinder, the rise of the SLR and the eclipse of them all with the meteoric development of the digital camera.

She mainly covers Lebanon's ever-changing political landscape, focusing on human rights, from women and gender inequality issues, to the discrimination refugees and minorities faced in the country.

The 36-exposure version of the 35mm value film, the Kodak ColorPlus 200 is a great option for photographers on a low budget. KODAK GOLD 100 and 200 Films are low-speed color negative films that offer an outstanding combination of color saturation, fine grain, and high sharpness. For more on this great film, you can check out the video I made for my YouTube channel "Pushing Film" below. Please remember it can take some time for your bank or credit card company to process and post the refund too. A larger objective diameter allows more light to enter the binoculars, resulting in brighter images, especially in low-light conditions.In fact I try not to oversharpen film as a rule, especially using Clarity which can really emphasise grain. With 24 exposures this is a great option for photographers on a tight budget or people testing new or refurbished cameras. Color Plus 200 offers excellent skin tone reproduction, excellent sharpness and clarity, and wide exposure latitude. I was a big fan of the old Agfa Vista 200 24 3 exposure rolls available here in Austria in the 1990ies.

Rated at 200 ISO, this film is destined to be shot in sunny, outdoor situations, or in very well-lit environments. That’s why I prefer it myself, it’s the slightly warmer counterpart to Fuji C200 – a perfectly decent, “cheap” (at least it used to be) everyday film. Although the specific details aren’t clear, it appears that the technical specifications of Colorplus and Gold diverged in the late 80s as technology improvements were added to Gold, but Colorplus was left as the budget option. I now use the High Pass filter to do most of the initial sharpening, only having a controlled effect on edges as it does, finishing off with a very light application of USM as a final step after adjustments are complete, avoiding Clarity completely. A life-saver, as somebody that likes to emphasize warm tones as those at late afternoon to have a film with this bias is nice.Kodak's ColorPlus film is considered as a budget 'Gold' film, ideal as an all-around colour print film with a slightly tuned down colour saturation of Ektar or skin tone rendition from Portra. While supposed to be cheaper than Kodak Gold, these days the pricing is completely bogus because everything is always in short supply, so I think I ended up paying more for this roll of Color Plus 200 than I ever did for a roll of Gold 200.