Hysteria [VINYL]

Product Information

Additional Advice given by: Martin Goldberg and Ann Waddingham, Prager and Fenton, London, England. Bruce Slayton and Victor Wlodinguer, Robbins, Spielman, Slayton and Halfon, New York, N.Y. James H.K. Harman, Theodore Goddard, London, England. Andrew Snelling and the staff at Barclays Bank, Earls Court Road, London, England. Hysteria was recorded at: Wisseloord Studios, Hilversum, Holland [...]. Windmill Lone Studio 2, Dublin, Ireland [...]. Studio Des Dames, Paris, France [...]

Def Leppard – Hysteria (2017, Orange Translucent, 180 gram Def Leppard – Hysteria (2017, Orange Translucent, 180 gram

Hysteria was recorded at: Wisseloord Studios, Hilversum, Holland: Thanks to Bart, Bert, Inge, Joke, Ronald, Irwin, Jan Fred, Peter, Freek, Henk and Henk, Albert Boekholt, Albert Hartwig, Junior, Miriam, Petra, Ilse and Lex. Windmill Lane Studio 2, Dublin, Ireland: Thanks to Irene, Bronwen, Suzanne, Ann Fox and Mark Flannery. Studio Des Dames, Paris, France: Thanks to Marcel. Joe plays golf with Spalding "Executive" Irons and Woods, "Dunlop 65", Golf Balls (courtesy of Shell Garages, Ireland); and Soccer with anyone who'll get out of bed.Recording Engineer Nigel Green discusses the groundbreaking, innovative wizardry devised in the studio long before the existence of Pro Tools, and gives Def Leppard fans an inside look with never-before-seen photos from the Hysteria recordings. The intro to Pour Some Sugar On Me was changed even after the album was finished (and pressed!). It was just Phil Nicholas and me messing around with samples on the Fairlight, for an extended version of the song. Mutt came in and heard it and said, “Great, do it.” Without recording the album the way we had, we wouldn’t have been able to make changes like that. Guitar, Written-By – Air Commander Phil "Felix, P.C. The Guru, Wambo Tap" Collen, B.T.H.*, Wing Commander Steve "Steamin', Dreamy, Snikker, Mayhem, P.T.W." Clark, A.H.D*

Hysteria 30th Anniversary Editions Out Now | Def Leppard Hysteria 30th Anniversary Editions Out Now | Def Leppard

CD / 2-DVD Super Deluxe Edition inc 4 books (Story Of / Ross Halfin Photo Book / Discography / Hysteria Tour Programme) Tour Poster

Companies, etc.

But you don’t work with people for three years without getting close to them, personally. I have to say they’re the most down to earth, nicest people you could ever meet. When I came to work with them in Holland they’d just come off a major, highly successful, Pyromania tour in the US. Yet they were the most normal guys you could ever meet. I love it when people in this business don’t change with success… that’s how it should be. The assorted Nuclear, Lunar and Orgasmic Mixes of the various singles couldn’t be more 1980s if they came hand-delivered by Max Headroom driving a Sinclair C5. In terms of 80s touchstones worth getting nostalgic about, the 12-inch remix is down near the bottom of the list. Thanks to everybody at Phonogram: In the UK: Gillian Gould, Francesca Sayers, John Watson, David Simone, Tony Powell, Bob Fisher, and "Bad" Bernadette Coyle. Internationally: Lisa Anderson, Sian Thomas, Lee Kavanagh, and all at Phonogram Netherlands, France and Ireland who helped us along during this recording. Oh yes, thanks to the 40 odd Polygram/Phonogram folks who endured with us all at Mannheim, West Germany, August, 1986. Guitar – Air Commodore Phil "Felix, P.C. The Guru, Wambo, Tap" Collen, B.T.H.*, Wing Commander Steve "Steamin', Dreamy, Snikker, Mayhem, P.T.W." Clark, A.H.D.* Finally, like I said, it was a great relief when Mike Shipley got involved. It took the pressure off me and his first few mixes gave us the formula we needed to finish the album. In the end Mike too had to leave after mixing for about 4 months. He and I ended up mixing six songs each.

HYSTERIA 30th Anniversary Editions - Def Leppard

Discs four and five are more interesting for the Leps diehard, containing an entire live show captured on their groundbreaking In The Round tour. While a recording that has gathered dust in the vaults for 30 years is never going to challenge Live And Dangerous for the title of Greatest Live Album Ever, it’s still a fine aural snapshot of a band in their imperial prime. But it also begs the question: where are the accompanying visuals? The tour was filmed –“We have lights, we have cameras,” Joe Elliott says during the intro to Women– but there’s no sign of any footage. Def Leppard Salutes "Captain Love" for his contributions to the creation of this record. If you delve into this list, you, too, will understand and appreciate this man's importance (not to mention, the entire history of the world since 1984!). On Pyromania the guitar sounds were recorded using a Marshall 100 watt amp. But they went through a ton of guitar amps (and a whole lot of time) before they found the right one. Eventually I think the amp blew up. At the time this was considered a very unorthodox way to record. No one in the music business was recording the drums last. But there was a real method to the madness. It allowed Mutt and the band to explore new ideas freely. Guitar [Guitars] – Air Commodore Phil "Felix, P.C., The Guru, Wambo, Tap" Collen, B.T.H.*, Wing Commander Steve "Steamin', Dreamy, Snikker, Mayhem, P.T.W." Clark, A.H.D.*There are many more stories about how this album was put together. I know the band will have loads of stories of their own. I’ve mostly talked about the technical side because that was my job and I wanted to explain why we took the approach we did. (And why it took so long!) To be fair though, during the first year of recording the band used a different producer, Jim Steinman. After 8 months they parted ways and I was brought in for what I thought would just be finishing off recording vocals and final mixing. But it soon became clear that a lot of the record still had to be recorded. I did my best re- recording guitars to beef up the sound and improve certain parts. We plodded on for quite a while but in the final analysis it was really Mutt they needed. The Hysteria album was a testing time for the band and all of us who worked on it. It’s hard to imagine what it feels like to work on an album for three years. Over such a long period even trends in music change. At one point we were trying to soften things up a little, guitar wise. Then suddenly Bon Jovi broke with You Give Love A Bad Name. We thought — shit, now we have to heavy things up again!