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Belfast Confetti

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The fourth line, “I was trying to complete a sentence in my head, but it kept stuttering” means that the speaker finds it difficult to depict in words the terror that his eyes witnessed. He tried finding an escape, but he couldn’t. Carson has adopted a narrative style in this poem ‘Belfast Confetti’ to depict an entire scene to the readers. They can feel the horrifying scene just like it is depicted by the poet. By reading this poem, one can easily understand the pain that the scene and the riot must have caused to the poet.

Outside History by Eavan Boland – This poem speaks on the larger history of Ireland, the role of women in history, and the life of stars. Read more Eavan Boland poems. Carson has used the first-person narrative style to describe his feelings in the most efficient way. It is a free verse poem. Ireland, 2002 by Paul Durcan – In this poem, readers can find the themes of change, progress, and Irish identity. Explore more poems of Paul Durcan. Carson has used past tense to describe the violence held against the Catholic crowd in the place. He has used the same tense to portray the different effects of being in the middle of the conflict.

Ciaran Carson

Summer 1969 by Seamus Heaney– It’s one of the best-known Seamus Heaney poems. This poem was written during the Ulster riots of 1969 and explores the theme of conflict. Read more Seamus Heaney poems. In the 1970’s the Irish nationalist groups started to use violence in an attempt to gain independence from Britain. The British army occupied the streets of Northern Ireland to protect the Catholics. However, they saw it as an unwanted occupation.

The poet has also used the present tense to portray a live scene of what he went through during the time he witnessed the violence. He has used this tense to describe his experience and the aftermath of the riot. The hidden meaning behind his words means that even if he has escaped the riot and survived, he will never be able to get rid of the sight that he witnessed; the violent scene is going to haunt his memories forever. Carson’s speaker describes the war-like situation in the second line. The speaker can imagine a found of broken images floating in his mind and hear the sound of the explosion. In this line, the phrase, “Nuts, bolts, nails, car-keys” hints at the scrap metals used as weapons by the Protestants during the “Troubles” in Ireland. Carson uses enjambment to internally connect the last two lines. After referring to those things, he feels quite tense. The way he speaks reveals the growing tension in his mind. He cannot even remember his name or where he lives. The situation was so worse that none could say where they were heading towards. In the last line, the phrase “A fusillade of question-marks” depicts the questions raised by the innocent eyes of the Catholics that were slaughtered by the merciless nationalist groups. The poem ‘Belfast Confetti,’ one of the best-known poems of Ciaran Carson, pulls the reader into the aftermath of Belfast’s sectarian riot. He has used punctuationto symbolize missiles that Protestants used during this riot, which was against the Catholic crowd in Belfast.This poem is about the conflict between the Catholics and Protestants, known as The Troubles, when in the 1960’s the Catholic community claimed they were being discriminated against by the Protestants. The following poems similarly showcase the themes included in Ciaran Carson’s haunting lyric ‘Belfast Confetti’. Easter, 1916 by William Butler Yeats– It’s another poem that describes the Easter Rising from the history of Ireland. This poem is regarded as one of the popular poems of W.B. Yeats. Explore more poems from W.B. Yeats. Besides, he asks, “Why can’t I escape.” It means the helplessness in the heart of the poet. Even though he wishes to leave and even though he knows that he has survived, he is unable to get rid of his helplessness about being unable to help those who lost their lives in the riot. He has witnessed the death of several people right in front of his eyes, due to which he just can’t forget the violent memories.

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