Modernist Estates: The buildings and the people who live in them

Product Information

Photographs of buildings - 2 stars - pretty tedious really. Where original features are shown they are interesting, but in general you get not-especially-good photographs of living spaces which, on the whole, have a pretty uniform taste in decoration. We looked at ten different places before buying a fourth-floor, west-facing flat. We loved the big living area, huge window and clever circulation with access from one bedroom to the other. Each study begins with a concise but informative history of the project, illustrated with high quality new photography. However, what particularly illuminates this book is alluded to in the second part of its title the buildings and the people who live in them today. Interviews with present day occupiers cut through conventional academic analyses to reveal answers to questions that we would probably all want to ask: what is it like to live here, how successful is the community, how do the homes cope with young families, is the building fabric holding up, is statutory protection a blessing or a burden? During this guided walk, the architects will be discussing their respective designs and the challenges and opportunities of infill housing and estate regeneration. As part of the tour, we will also talk through Camden Council’s programme to upgrade the open and green spaces on the estate. Overview of development- 5 stars - a model of concision perfectly explaining the context and complemented by well chosen photographs of the estate at the time of first completion.

Modernist Estates - Europe | Book Review | Urban Design Group Modernist Estates - Europe | Book Review | Urban Design Group

This book would certainly be of interest to architecture buffs, as well as people interested in engineering, urban planning, and postwar English history, but I think almost anyone could appreciate the gorgeous pictures and unique look at a distinct time in modern history. What sparked the interest for Laurent? "I was influenced by my experience in China where I lived for six months in 2008, where I also discovered photography" he tells Creative Boom. "The big cities of this territory stunned me by their gigantic size, their tentacular immoderation, their paradoxes, their metamorphosises, their contrasts and the way the human being lives in this abundant and overpopulated town planning. I was literally absorbed by the atmosphere of the megalopolis and by its astounding mix of futurism and tradition. It certainly unconsciously stimulated the search for a juxtaposition of ages in my later projects." The lower end of the market always sells so well,” says Hill. “One of the founding principles was: it’s not about price, it really is about design, and we’ve always tried to keep as broad a price spectrum as we can.”

Dance in Glass, by Oskar Schlemme, at the new Bauhaus Museum Dessau. Photograph: Ronny Hartmann/Getty Images

Modernist Estates

I think Bauhaus was a very German phenomenon,” says Bettina. “We were very late to industrialise. It responded to a need to re-educate craftsmen and catch up with France and the UK. The first world war had destroyed nationalism of the imperial kind and 1919 was a new dawn.”Why focus on the older generation living there? "I have always been inspired by seniors and I had this deep feeling to put them at the front stage. I wished to communicate with them, know their life and try to deconstruct this sometimes depreciating image of the old age which arises from our society. I then said to myself that there was a subject to explore both on the passing of the generations as well as on the impact of time on the architecture and the lives which it tries to harmonise."

Modernist Estates Modernist Estates

A few years later, when they were both journalists writing about architecture and design, Hill had what he describes as a “lightbulb moment” – realising he could apply the same approach he had taken to selling collectable trainers and furniture to selling collectable houses. “And I didn’t need to put them in my dad’s garage.” The construction (from 1959) is less robust than what we were used to in the Barbican Estate and sound thermal insulation is less than ideal. It would be hard to improve either of those as the pivoting Crittal windows mean that secondary glazing is problematic. We designed and installed a glass screen between the kitchen and living room as someone before us widened the original opening and we wanted to enclose the kitchen but also make sure it looked visually open. I knew a little bit about the building before I moved here. The scheme was part of Camden’s ‘golden era’ of housing along with estates such as the Highgate New Town in Archway by Peter Tabori, and Alexandra Road in Swiss Cottage by Neave Brown. These young and progressive architects rejected the trend for high-rise developments that had been popular after the war in favour of good quality, well-planned, low-rise buildings. There are three distinct parts to each ‘chapter’ in this book and these can be rated separately as follows

An impressive two-bedroom duplex apartment in a unique mews in Forest Gate. The building, completed in 2019, was designed by Marcus Lee, formerly a director at the Richard Rogers Partnership, and comprises a studio apartment on the ground floor and this duplex on the top two floors, complete with its own roof terrace.