Fortress of the Muslim (Pocket Size)

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None has the right to be worshipped but Allah alone, Who has no partner. His is the dominion and His is the praise and He is Able to do all things . (Recite ten times 1 in Arabic or one time to ward off laziness.) 2 Subhaanallaahi wa bihamdihi: 'Adada khalqihi, wa ridhaa nafsihi, wa zinata 'arshihi wa midaada kalimaatihi.

Dodds, Jerrilynn D., ed. (1992). Al-Andalus: The Art of Islamic Spain. New York: The Metropolitan Museum of Art. ISBN 0870996371. Archived from the original on 2 December 2021 . Retrieved 17 November 2021. Some scholarly descriptions of the palaces treat the Mexuar as merely one part of the larger Comares Palace. [136] [137]

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In the Name of Allah, Who with His Name nothing can cause harm in the earth nor in the heavens, and He is the All-Hearing, the All-Knowing. (Recite three times in Arabic). a b Brown, Jonathan (1986). "Review of The Palace of Charles V in Granada". The American Historical Review. 91 (5): 1219–1220. doi: 10.2307/1864465. ISSN 0002-8762. JSTOR 1864465. Archived from the original on 9 February 2022 . Retrieved 9 February 2022.

Nolan, David (1995). The Houses of St. Augustine. Pineapple Press Inc. p.46. ISBN 978-1-56164-069-0. Archived from the original on 1 February 2022 . Retrieved 1 February 2022.The Fountain of Lindaraja". Patronato de la Alhambra y Generalife. Archived from the original on 19 February 2022 . Retrieved 19 February 2022. Four halls are arranged around the courtyard. The Sala de los Mocárabes ('Hall of the mocárabes ( muqarnas)'), on the west side, was damaged in 1590 by the explosion of a nearby gunpowder magazine and its ceiling was replaced by the current Baroque-style plaster vault in 1714. [163] [164] The Sala de los Reyes [ es]('Hall of Kings'), on the east side, is subdivided into multiple sections covered by muqarnas vaults. Opening behind these are several more rooms, three of which contain rounded vault ceilings covered by unique pictorial scenes painted on leather. One painting shows a Nasrid sultan and other dignitaries sitting and discussing together while the two other paintings feature scenes of sports, hunting, and court life. [165] [166] The style of painting was influenced to one extent or another by Christian Gothic art. [165] [167] [166] [168] Muqarnas dome in the Hall of the Two Sisters The Comares Palace itself is centered around the Patio de los Arrayanes ('Court of the Myrtles'), a courtyard measuring 23 to 23.5 metres wide and 36.6 metres long, with its long axis aligned roughly north-to-south. [149] At the middle, aligned with the main axis of the court, is a wide reflective pool. The pool measures 34 metres long and 7,10 meters wide. [150] The myrtle bushes that are the court's namesake grow in hedges along either side of this pool. Two ornate porticos are situated at the north and south ends of the court, leading to further halls and rooms behind them. The court's decoration contained eleven qasā'id by Ibn Zamrak, eight of which remain. [111] Annexed to the east side of the palace are the Comares Baths, a royal hammam that is exceptionally well-preserved. [151] El alhambrismo en la música española hasta la época de Manuel de Falla – Dialnet. Dialnet.unirioja.es. 1999. pp.33–46. ISBN 9782840501428. Archived from the original on 3 April 2012 . Retrieved 4 April 2012. The name barca is assumed to derive from the Arabic word baraka, meaning "blessing", which is included in the inscriptions around the hall. [149] [152] [153] [154]