Kali Audio LP-6 Professional 6.5" Active Near Field Monitor Studio Speaker, black

Product Information

Directivity which is a measure of how close radiation is relative to on-axis is very good. This makes it easy to EQ the sound in addition to the speaker being room friendly.

Kali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom. The rear of the LP-6 features carefully tuned controls, providing compensation EQ settings to find the best possible sound. Kali Audio calibrated their EQ tuning at The Village Studios in Los Angeles. This combined with the low and high-frequency trims, ensures the studio monitor can adapt to any space. accordingly. With many monitors – especially at the lower end of the market – you simply don’t get a lot to play with in terms of that adjustment, but with the LP-6s you get a lot, and it really can make a difference. The integrated Class D Power amp delivers clean, reliable power that's optimized to this speaker.Both models use 40W for the 1” soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer. Specifications The IN‑5’s high‑frequency performance is similarly well judged and does a competent job without drawing attention to itself. The benefits of the midrange/tweeter dual‑coincident format are very clear, with the IN‑5 showing strong image focus and really good consistency at different listening positions.

Dual-Layer Voice Coil

The fast roll‑off above 120Hz or so is partly a measurement artefact and partly the bass driver’s low‑pass crossover filter doing its job. What isn’t an artefact, however, is the sharp dip in the response at around 43Hz: that’s the port resonance locally reducing the driver output. So we know now that the port is tuned to 43Hz which, while being a relatively low frequency for such a compact system is also, coincidentally, close to bass guitar bottom E (41.2Hz in concert pitch). In some respects having the port tuned in such a musically significant region is a good thing, in that it reduces the workload of the bass driver. At the same time, however, the port tuning frequency is likely to be the point at which low‑frequency latency is most significant, and similarly, where port distortion and compression effects will be most apparent. Part of the skill in electro‑acoustics, especially on a tight budget, is knowing how best to manage this kind of compromise.

In theory, with complete 360-degree anechoic data on a loudspeaker and sufficient acoustical and geometrical data on the listening room and its layout it would be possible to estimate with good precision what would be measured by an omnidirectional microphone located in the listening area of that room. By making some simplifying assumptions about the listening space, the data set described above permits a usefully accurate preview of how a given loudspeaker might perform in a typical domestic listening room. Obviously, there are no guarantees because individual rooms can be acoustically aberrant. Sometimes rooms are excessively reflective (“live”) as happens in certain hot, humid climates, with certain styles of interior décor and in under-furnished rooms. Sometimes rooms are excessively “dead” as in other styles of décor and in some custom home theaters where acoustical treatment has been used excessively. This form of post processing is offered only as an estimate of what might happen in a domestic living space with carpet on the floor and a “normal” amount of seating, drapes, and cabinetry. title=More%20Expert%20Tech%20Roundups&type=articles%2Cvideos&tags=tech-roundup&count=6&columnCount=6&theme=articleThe reference plane in this test is at the tweeter. Volume set to ‘0’ with XLR input. The dip switches were all set to ‘0’ for the free field setting. Acoustic measurements can be grouped in a way that can be perceptually analyzed to determine how good a speaker can be used. This so called spinorama shows us just about everything we need to know about the speaker with respect to tonality and some flaws: These speakers were loaned to me by Kali Audio for review purposes. They were not given early access to my review and will see it the same time the public does. The most unique part of Focal studio monitors, and usually the selling point, is the inverted-dome tweeter—this component offers multiple benefits. The inverted dome creates a wide listening sweet spot, unlike most other dome-based tweeters. You should be able to move around your listening position without losing much of the detail and defined stereo image that the Alpha 65s provide.

This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily.This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily. Full output specifications, along with maximum listening distances, can be found in our user’s manual. Please don't be alarmed by the high SPL numbers. These are not real (NFS does not know about the amplification gain in the speaker). Actual level is pretty close to what I measure most speakers at. Settings wise I used the aforementioned dip switch settings for a monitor on a speaker stand less than half a meter from the wall and left everything else alone… initially anyway. The excellent news is that the response across the frequency range does seem to be largely accurate. The bass is tamed and tight for the most part and not coloured. Kali Audio was formed in January 2018, but despite their youth, they are already establishing themselves as one of the leading brands within the affordable home studio market. You can expect pro-grade audio from their LP Series studio monitors. Kali Audio produce studio monitorsthat are all designed in California, USA. Created by a team of experienced engineers, many of whom previously worked for leading manufacturers, these high-quality speakers unleash incredible sound.