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The Portkeys PT5 HDMI touchscreen monitor is the most affordable monitor, which is a 5″ 4K30p monitor with 500nit bitghtness, new peaking, wide color gamut and 3D LUT. But despite its plastic construction, it still features a full range of monitoring tools that would certainly make your life on set a lot easier. Portkeys PT5 Hardware – Improved Compact Touchscreen Now the PortKeys PT6 Livestreaming Assist Monitor has been released, which offers livestreaming assists while not breaking the bank. While it won't stream your video from the monitor itself, the built-in tools will help you prep an image for streaming. Let’s take a deeper look to find out what that means. As with the BM7IIDS monitor, it has the same split-screen monitoring features, custom freeze frame feature for match cuts, 3D LUT HDMI output, anamorphic lens calibration, customized peaking range, custom rectangular image crop, brightness and RGB signal detection before and after loading 3D LUTs. It also has a false color and ARRI false color feature with customizable overexposure and underexposure IRE scales. The MT22DS Monitor has 2x XLR outputs – Source: Portkeys Aside from those two things, both of which are minor, the actual use and usability of the Portkeys PT6 is incredibly good. The monitor’s small size and weight make it convenient to transport and ultimately it doesn’t add too much weight and bulk to you camera or rig. Alongside the basics are plenty of other helpful visual guides that will enable you to monitor better the footage you’re shooting. For me, one of the biggest benefits is the ability to overlay LUTs so that when shooting using a Log profile, you can see the effects of certain LUTs on the footage. These LUTs need to be loaded onto the PT6 using a USB key, but the process is easy, and the touchscreen interface makes finding your way around easy.
New 5-inch Portkeys PT5 Field Monitor Announced - 4K Shooters
What makes the small Portkeys PT6 stand out is that it has been designed for streaming; essentially, it has all the pro monitor features, just in a small box that you can easily transport. The monitor includes focus peaking, zebras, and false colour and is 100% DCI-P3 compliant. On the streaming side, this means you can take a feed from your camera at up to 4K and then feed it through the PT6 and output it at streaming-ready 1080p 60fps, and if the feeling takes you, you can even apply a LUT of your choice. There is an HDMI input and output, which can put out a 1920 x 1080p60 signal at 60Hz. Tools include 3D LUT support to 17grid, anamorphic squeeze with fine squeeze control, and UI from the camera. It also has all the bells and whistles you'd expect—Zebras, Luma Histograms, and false color.If you are using a Sony A7 III, A7 IV, A7S III, A1, A9 II, RX10, A7C, FX3, FX30, or A9 II, you can control REC, Iris, ISO, Shutter, Color Temperature, White Balance, EV, Focus Areas, Single Focus, and Exposure Mode. List of supported cameras for LH7P Monitor – Source: Portkeys
PortKeys LH5P II 5.5-inch monitor review | Digital Camera World PortKeys LH5P II 5.5-inch monitor review | Digital Camera World
USB (for updates and cubes), regrettably non-latching power connectors and the on-off switch. Picture processing The price of the Portkey PT6 instantly makes this a bargain considering the monitor’s quality and features you get. The overlays, such as peaking, zebras and false colour, are standard features that anyone shooting video will benefit from. The ability to monitor in Landscape or portrait is also incredibly handy.
Production
Video support is offered up to 4K 30p (4096 x 2160 at 24Hz) and can display 100% P3 and Rec.709 in 10-bit. Unfortunately, we're not clear if this is true 10-bit or 8-Bit+FRC like the PT5. According to our sources, all signs point to the PT6 being true 10-bit, which is a likely change. Will prompt “access failed”, you can try again at this time, if not, you can restart the device to try once. At one time, a full-featured monitor for on-set or on-camera use was a big deal. If you wanted features such as a high-performance waveform monitor and lookup tables, it was an expensive device that chewed through batteries and made a loud whirring sound. If anything shows us that this has changed, it’s Portkeys’ diminutive PT5, which does all those things in a small, very inexpensive box. The BM7IIDS is a 7″ 1920×1080 on-camera monitor with 2200nits – more than 2 times brighter than the LH7P monitor. It comes with a single HDMI input that supports signals up to 1080p60, 1x HDMI output, dual SDI input (up to 1080p60), and 1x SDI output. You can perform a signal cross-conversion between HDMI and SDI connectors in any direction, so there is no longer a need for an external conversion box. BM7IIDS Monitor – Source: Portkeys The LH5P II is equipped with a lot of software built-in, you are able to adjust picture color, temperature, layout and more to have it display a single just the way you want it, you can also flip the image on the horizontal or vertical axis making this a perfect companion for those for are shooting vertical video for social media. You can also set the display gamut to an option of your choice from bypass, Rec.709, P3-DCI, or P3-D65. You also have the option to upload your own LUT to the monitor so you can see exactly how your video is going to look before applying it in the editing studio, which is a massive time saver when on set.
Portkeys PT5 II Monitor, 5 Inch Professional DSLR On Camera
He is a Fellow of The Royal Society of Arts, holds a Foundation Degree in Equitation Science and is a Master of Arts in Publishing. He is member of Nikon NPS and has been a Nikon user since the film days using a Nikon F5 and saw the digital transition with Nikon's D series cameras and is still to this day the youngest member to be elected in to BEWA, The British Equestrian Writers' Association. Sampling: the LH7P supports 4K over-sampling to 1080p, just in case your camera can’t perform this internally. The result is a high-resolution and highly-detailed 1080p video signal on your monitor.Anamorphic De-squeeze: the LH7P monitor supports anamorphic lens correction in a ratio of 1.00x / 1.33x / 1.42x / 1.50x / 1.60x / 1.66x / 1.85x / 2.00x / 2.35x. Moreover, you can dial in a custom de-squeeze factor ranging between 0.25x and 4.00x. Don’t feel confined to the department that you are a part of. One of the biggest advantages of attending film school are the many people who work and study there. Reach out to the head of each department and introduce yourself and your role. Camera Parameters: if you are shooting with the external monitor on top of the camera, this feature will come in handy to see the most important camera parameters on a bigger screen. Monitoring the video is just part of what this dedicated monitor does; it’s also bigger than your camera’s screen and offers increased brightness, resolution and colour depth so that you don’t just get a good idea of how the image will look, you actually get a near as perfect idea of what your capturing.
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