Journey's End (Penguin Modern Classics)

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Read this if you enjoy(ed): The Map to Everywhere by Carrie Ryan & John Parke Davis, adventures, spoopy stories. Stanhope confiscates a letter from Raleigh, insisting on his right to censor it. Stanhope is in a relationship with Raleigh's sister and is worried that, in the letter, Raleigh will reveal Stanhope's growing alcoholism. Full of self-loathing, Stanhope accedes to Osborne's offer to read the letter for him. The letter is, in fact, full of praise for Stanhope. The scene ends with Stanhope quietly demurring from Osborne's suggestion to re-seal the envelope.

ROBERT Cedric Sherriff was born in 1896 and educated at Kingston Grammar School and New College, Oxford. On the outbreak of the First World War, he joined the army and served as a captain in the East Surrey regiment. Once the war ended, an interest in amateur theatricals led him to I enjoyed this story a lot, and the characters were pretty great. While I didn't fully love this book, aw, I'm really glad that I read it. Because the mystery was interesting and I liked the place it was set in. A tiny Scottish village, our time. It was exciting. There is a bit of magic, which was awesome. And such an interesting story. And a lot of people may dismiss the scenes and the conversations as slow but I think that is the whole point and what makes the. In the films set around WW1 there is always something happening, shells exploding, machine guns hammering but in reality there was a lot of time where the men were just waiting. When Hardy leaves, Osborne sits down to a dinner made by Mason, the officers’ cook. At this point, Raleigh, the new officer, enters. As Osborne and Raleigh talk, Raleigh reveals that he knows Stanhope from before the war. He and Stanhope went to the same high school, and Stanhope was a respected rugby captain whose father was friends with Raleigh’s father. The boys spent summers together, and Stanhope started dating Raleigh’s sister. When Stanhope went off to war, Raleigh thought constantly of him as brave captain. When Raleigh enlisted, he even ­­asked a relative to help him get assigned to Stanhope’s infantry. Hearing this, Osborne realizes he should warn Raleigh that Stanhope has changed. Next the two men talk about Raleigh’s journey through the trenches to the front lines, which he says was an unnervingly quiet experience. Osborne confirms that it is “often quiet” there, despite it being one of the most dangerous places to be stationed. Osborne says they are just “waiting for something” to happen.RALEIGH (after a pause): The Germans are really quite decent, aren’t they? I mean, outside the newspapers. Often it is the futility and senselessness of war that makes you appreciate the value of life and the beauty of nature which you earlier might not have. In how many colours have you seen the sun rising and setting? Read how Osborne feels in the following quote:

During the Second World War, productions were staged by members of the Royal Natal Carbineers at El Khatatba, Egypt (January 1944); and by British prisoners in Changi Prison, Singapore (February 1943); at Tamarkan, Thailand, a Japanese labour camp on the Burma Railway (July 1943); in Stalag 344, near Lamsdorf, Germany (July 1944); and in Campo P.G. 75, near Bari, Italy. [14] During dinner, Trotter decides to make a chart representing the remaining hours until he and his fellow officers can leave the trenches. On a paper he draws 144 circles, intending to fill them in as the hours pass. By the end of dinner, only Stanhope and Osborne remain in the dugout, and Stanhope is exceedingly drunk. He admits that he’s afraid Raleigh will write to his sister—who’s waiting for Stanhope to return—and tell her about his drinking. Stanhope declares that he’s going to censor Raleigh’s letters, and Osborne puts his drunken friend to bed. Sometimes you have to read something funny or say something humorous to kill the boredom and drabness of war or as an escape from reality. Do control your laughter on reading what Trotter is reciting.Osborne puts a tired and somewhat drunk Stanhope to bed. Stanhope, as well as the other officers, refers to Osborne as "Uncle". It is decided that Osborne and Raleigh will be the officers to go on the raid, despite the fact that Raleigh has only recently entered the war. Curtis, James (1998). James Whale: A New World of Gods and Monsters. Boston: Faber and Faber. p.71. ISBN 0-571-19285-8. The scenes between the men were extremely subtle and really drove home the complete and utter futility of it all. And I think it’s this subtlety that made the final scene all the more haunting.

Osborne and Raleigh discuss how slowly time passes at the front, and the fact that both of them played rugby before the war and that Osborne was a schoolmaster before he signed up to fight. While Raleigh appears interested, Osborne points out that it is of little use now. Instead of writing a play that is about the combat, Sherriff chose to focus on the men and their feelings. The most striking part was that he could have chosen any group of soldiers on either side of No Man’s Land and still had the same play, the same feelings and the same message.Journey's End” (1928), by English playwright Robert Cedric (R.C.) Sherriff, follows a group of British army troops in the days leading to Operation Michael, which was the last offensive operation from Germany that would mark the beginning of the end of WWI. Performed for more than two years in London, the play was one of the most popular productions of the 1920s. The work is based off of his own experience in the British Expeditionary Force (BEF) during WWI. Journey’s End is an extremely claustrophobic play, set in the trenches in March 1918 as the war is drawing to a close. It tells the story of a group of officers and their commander over a course of three days. Apparently R.C Sherriff intended the play to be called ‘Suspense’ or ‘Waiting’ and, I have to say, they both would have been perfect titles for this. R.C. Sherriff wrote the play based on his own experiences, and appears to have no particular axe to grind - neither anti-war, nor patriotic - with its primary focus on the toll placed on the young officers and the working class soldiers thrown into such a horrific situation. The play has been filmed several times, and a new version has just appeared. I look forward to it, as well as hoping to see Journey’s End on stage at some point.

Stanhope is angry that Raleigh has been allowed to join him and describes the boy as a hero-worshipper. As Stanhope is in a relationship with Raleigh's sister Madge, he is concerned that Raleigh will write home and inform his sister of Stanhope's drinking. Stanhope tells Osborne that he will censor Raleigh's letters so this will not happen; Osborne does not approve. In this private conversation on the subject of Raleigh's idolization of Stanhope, Osborne and Stanhope touch on the theme of heroism. Having looked up to Stanhope at school, Raleigh and Raleigh's sister turned him into a hero. However, Stanhope reveals in this dialogue his concern that Raleigh will see Stanhope for who he is truly is, having been damaged by the effects of war. Osborne sees things differently, and has faith that Raleigh will continue to see him as a hero, despite Stanhope's drinking and temper. Journey's End @ the Greenwich Theatre - A Review - Londoneer". Archived from the original on 19 February 2013 . Retrieved 19 February 2013. Raleigh admits that he requested to be sent to Stanhope's company. Osborne hints to Raleigh that Stanhope will not be the same person he knew from school, as the experiences of war have changed him; however, Raleigh does not seem to understand.

In this passage, Osborne tries to warn Raleigh that his heroic image of Stanhope may not match Stanhope's present, battle-addled condition. The difficulty Osborne has in articulating the statement is significant, as it speaks to how Osborne would not like to undermine Stanhope's authority by spreading doubt about his mental condition, while he nonetheless wants the bright-eyed Raleigh not to grow disillusioned. Edinburgh Gateway Company (1965), The Twelve Seasons of the Edinburgh Gateway Company, 1953 - 1965, St. Giles Press, Edinburgh, p. 55 Stanhope also becomes angry at Raleigh, who did not eat with the officers that night but preferred to eat with his men. Stanhope is offended by this, and Raleigh eventually admits that he feels he cannot eat while he thinks that Osborne is dead, and his body is in No Man's Land. Stanhope is angry because Raleigh had seemed to imply that Stanhope did not care about Osborne's death because Stanhope was eating and drinking. Stanhope yells at Raleigh that he drinks to cope with the fact that Osborne died, to forget. Stanhope asks to be left alone and angrily tells Raleigh to leave. Journey's End opened as a semi-staged production running for two nights at the Apollo Theatre. [1] It starred Laurence Olivier, then only 21, offered the role of Stanhope by the then equally unknown director James Whale. [1] Under a new producer, Maurice Browne, the play soon transferred to the Savoy Theatre where it ran for three weeks starting on 21 January 1929. [2] The entire cast from the Apollo reprised their roles ( George Zucco playing Osborne and Maurice Evans Raleigh) except for Olivier, who had secured another role and was replaced by Colin Clive as Stanhope. [3] The play was extremely well received: in the words of Whale's biographer James Curtis, it "managed to coalesce, at the right time and in the right manner, the impressions of a whole generation of men who were in the war and who had found it impossible, through words or deeds, to adequately express to their friends and families what the trenches had been like". [4] It transferred to the Prince of Wales Theatre, where it ran for a further two years.