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Set between Montreal, Quebec and various American cities, Carousel is a story about secrets--secret yearnings, lives, and losses--and the measures we take to protect our loved ones from the monsters we see ourselves to be. Carousels don’t automatically normalize slide dimensions. As such, you may need to use additional utilities or custom styles to appropriately size content. While carousels support previous/next controls and indicators, they’re not explicitly required. Add and customize as you see fit. Gale, Bill. "PPAC is last turn for Carousel". Providence Journal-Bulletin ( Rhode Island), May 11, 1997, Arts Week, p. 3E. Miller, Daryl H. "Powerful Carousel Leaves Ahmanson Audience Spinning", Daily News (Los Angeles), July 12, 1996. Retrieved on December 26, 2010
Use data attributes to easily control the position of the carousel. data-bs-slide accepts the keywords prev or next, which alters the slide position relative to its current position. Alternatively, use data-bs-slide-to to pass a raw slide index to the carousel data-bs-slide-to="2", which shifts the slide position to a particular index beginning with 0.In seeking to establish through song Liliom's motivation for the robbery, Rodgers remembered that he and Hart had a similar problem in Pal Joey. Rodgers and Hart had overcome the problem with a song that Joey sings to himself, "I'm Talking to My Pal". This inspired " Soliloquy". Both partners later told a story that "Soliloquy" was only intended to be a song about Liliom's dreams of a son, but that Rodgers, who had two daughters, insisted that Liliom consider that Julie might have a girl. However, the notes taken at their meeting of December 7, 1943 state: "Mr. Rodgers suggested a fine musical number for the end of the scene where Liliom discovers he is to be a father, in which he sings first with pride of the growth of a boy, and then suddenly realizes it might be a girl and changes completely." [24] The opening carnival scene in Liliom inspired the pantomime that begins Carousel; 1921 Jan Clayton°, Iva Withers, Barbara Cook, Constance Towers, Joanna Riding, Sarah Uriarte Berry, Jennifer Laura Thompson, Alexandra Silber, Katherine Jenkins, Jessie Mueller New York Times critic Frank Rich said of the 1992 London production: "What is remarkable about Mr. Hytner's direction, aside from its unorthodox faith in the virtues of simplicity and stillness, is its ability to make a 1992 audience believe in Hammerstein's vision of redemption, which has it that a dead sinner can return to Earth to do godly good." [115] The Hytner production in New York was hailed by many critics as a grittier Carousel, which they deemed more appropriate for the 1990s. [116] Clive Barnes of the New York Post called it a "defining Carousel—hard-nosed, imaginative, and exciting." [116] Spellbinding and beautifully written--a galloping ride into love, relationships, and friendship, and the burdens of family history." Few things are so ideal to restore your inner balance after a hard day than Rosamund Pilcher's books. This optimism, the gentle romance, the relaxing descriptions of nature and in general all this world of her are the ideal elements that one can look for in these conditions and their positive effect on me is something stable. Of course, there is nothing different from her other books, which of course can be described as negative but, on the other hand, this absence of surprise works just as relaxing as the reader knows what he will encounter. So here we have a story in beautiful Cornwall, with a young woman looking for her way, a man who has lost it and a neglected girl, all under the roof of a wise middle-aged woman and faced with the consequences of the actions of selfish and immature people. In this bubble of love and understanding, everything can be done, the tears can dry, true love can bloom, solid solutions can be found and, of course, the reader can find refuge for a few hours. However, in the case of this book, the hours are really few and that is something negative but I have the feeling that all these nice things are given in an ideally condensed way that actually enhances the book and makes it more enjoyable. That's why I could not avoid the rating you see.
Butler, Robert. "Show People: A star waiting to happen: Clive Rowe", The Independent, September 25, 1994 Hyland, William G. Richard Rodgers. New Haven, Conn.: Yale University Press, 1998. ISBN 978-0-300-07115-3. On touch-enabled devices, when set to 'hover', cycling will pause on touchend (once the user finished interacting with the carousel) for two intervals, before automatically resuming. Note that this is in addition to the above mouse behavior.
a b Green, Stanley. Encyclopedia of The Musical Theatre: An Updated Reference. Da Capo Press, 1980, pp. 63–64. ISBN 978-0-306-80113-6. Retrieved on December 21, 2010. Carousel wrapper -->
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